Dances for October 19, 2026

Ardbrae Dancers of Ottawa

Video: An Autumn Posy

An Autumn Posy
Romaine Butterfield: Island Bay Collection (2nd edition)
A 32 bar strathspey for 2 couples in a 4couple Set

1 – 8 1s+2s circle 4H round to left; 1L+2L dance RSh round partner back to place

9 – 16 1s+2s dance the Knot

17 – 24 2s+1s circle 4H round to right; 2M+1M dance LSh round partner back to place

25 – 32 1s dance up, cast round 2s & turn 2H. End 2 1


Video: The Lords Of The Wind

The Lords Of The Wind
Iain Boyd, The Lord of the Rings Coll.
A three couple, 32 bar reel.

1 – 2 First man and second woman set once.
3 – 4 First man casts down round second man. Second man moves up.
5 – 6 First woman and second man set once.
7 – 8 First woman casts down round second woman. Second woman moves up.

9 – 12 First woman with second couple and first man with third couple dance right hands across once round to finish in the middle with hands joined.

13 – 16 First woman, followed by second woman and second man, dances down to third man’s place, across the set and up to second woman’s place whilefirst man, followed by third man and third woman, dances up to first woman’s place, across the set and down to second man’s place.Dancers pass by left shoulders in the middle. All finish on own sides in the order – third, first and second couples.

17 – 20 First man with third couple and first woman with second couple dance left hands across once round to finish in the middle with hands joined.

21 – 24 First man, followed by third man and third woman, dances down to third woman’s place, across the set and up to second man’s place while first woman, followed by second woman and second man, dances up to first man’s place, across the set and down to second woman’s place. Dancers pass by right shoulders in the middle. All finish on own sides in the order – second, first and third couples.

25 – 32 Second, first and third couples dance six hands round and back.

Repeat having passed a couple.

Devised on Saturday, 22nd November, 1991. Bars 9-24 are based on bars 25-32 of Norman Churnside’s dance “The Snake Pass” (“Life Begins At Forty”, page 19) which Ian Simmonds had taught at the Redwood class the previous evening. These 16 bars could be described as a ‘double snake pass’.

The Lords of the Wind are the Eagles – the greatest birds of Middle-earth – who dwelt among the high peaks of the Misty Mountains. Gwaihir the Windlord, King of the Eagles, together with his close kin, rescued Frodo and Samwise from imminent death at the foot of the volcano Orodruin (Mount Doom) after the destruction of the ‘One Ring’. The Eagles fought bravely during the final battle against Sauron.

Recommended tunes – “Sally Gardens” – described as traditional – played AABB (“Irish Traditional
Fiddle Music”, volume 1, tune 29)
and
“Miss Monaghan” – described as traditional – played AABB (“Collection Of Irish Airs Marches And Dance Tunes”, collected by F Roche, volume 1, page 62 and “The Dance Music Of Ireland”, collected by O’Neill, page 106).


Video: Manual Memories 

Manual Memories 
Eilidh Hart. Glasgow 100th Anniversary Dances
32-bar jig for three couples in a four-couple longwise set Bars Description

1 – 8 1st couple, giving right hands, turn once round and cast to second place, then, giving left hands, turn to face first corners. 2nd couple step up on 3-4.

9 – 12 1st couple dance a half diagonal reel of 4 with first corners and pass by the right to face second corners. At the same time, first corners, giving right hands, turn halfway and cast into the opposite place.

13 – 16 1st couple dance a half diagonal reel of four with second corners and finish in second place, opposite sides. At the same time second corners, giving right hands, turn halfway and cast into the opposite place to finish in the order (3), (1), (2).

17 – 24 3rd, 1st and 2nd couples dance set and link twice to finish on own sides in the order 2, 1, 3.

25 – 32 1st woman with 2nd couple and 1st man with 3rd couple dance right hands across. 1st couple pass by the right and dance left hands across, 1st man with 2nd couple and 1st woman with 3rd couple.

Repeat, having passed a couple.
Devised by Eilidh Hart.

Deviser’s note:
“During a very busy time dancing in Glasgow, with competitions and examination preparation for multiple units – I guess I had a lot of dancing on my mind because this dance just came to me in my sleep.”




Dances for October 5, 2026

Video: Manual Memories

Manual Memories
Eilidh Hart. Glasgow 100th Anniversary Dances
32-bar jig for three couples in a four-couple longwise set Bars Description

1 – 8 1st couple, giving right hands, turn once round and cast to second place, then, giving left hands, turn to face first corners. 2nd couple step up on 3-4.

9 – 12 1st couple dance a half diagonal reel of 4 with first corners and pass by the right to face second corners. At the same time, first corners, giving right hands, turn halfway and cast into the opposite place.

13 – 16 1st couple dance a half diagonal reel of four with second corners and finish in second place, opposite sides. At the same time second corners, giving right hands, turn halfway and cast into the opposite place to finish in the order (3), (1), (2).

17 – 24 3rd, 1st and 2nd couples dance set and link twice to finish on own sides in the order 2, 1, 3.

25 – 32 1st woman with 2nd couple and 1st man with 3rd couple dance right hands across. 1st couple pass by the right and dance left hands across, 1st man with 2nd couple and 1st woman with 3rd couple.

Repeat, having passed a couple.
Devised by Eilidh Hart.

Deviser’s note:
“During a very busy time dancing in Glasgow, with competitions and examination preparation for multiple units – I guess I had a lot of dancing on my mind because this dance just came to me in my sleep.”


Video: John McAlpin

John McAlpin
RSCDS Magazin
e Dances
32-bar strathspey for three couples in a four-couple longwise set

1 – 2 1st couple advance one step, take right hands briefly and retire one step.

3 – 4 1st couple, giving left hands, cross over.

5 – 6 1st couple lead down to second place in the middle of the set. 2nd couple step up.

7 – 8 1st couple turn with the left hand to face first corners.

9 – 16 1st couple turn first corners with the right hand, partner with the left hand, second corners with the right hand and, giving left hands to partner, cross to second place on own side of the dance.

17 – 18 2nd, 1st and 3rd women set.

19 – 20 2nd, 1st and 3rd women advance while the 2nd, 1st and 3rd men set.

21 – 24 2nd, 1st and 3rd women retire and set, while the 2nd, 1st and 3rd men advance and retire.

25 – 26 2nd, 1st and 3rd couples, giving right hands, cross over to finish ready to form a circle.

27 – 28 2nd, 1st and 3rd couples dance six hands round to the left halfway.

29 – 32 2nd, 1st and 3rd couples, giving left hands, cross over to form a circle and dance six hands round to the right.

Repeat, having passed a couple.
Devised by Hugh Foss and originally published in The Galloway Album.


Video: Sleepwalking

Sleepwalking
Katherine Giacoletti, Delaware Valley Gold
Devised 10/22/1996
32 R 3C

1 – 8 1st couple cross giving right hands and cast off one place as 2nd couple steps up. 1st couple turn by the left and cast off one place as 3rd couple steps up.

9 – 16 Mirror reels of three on the sides of the dance – 1st couple begin dancing in and up, 3rd couple begin dancing out and down, and 2nd couple begin dancing in and down.

17 – 24 1st couple dance to the top, nearer hands joined (as 3rd couple dances down to third place behind them, continuing the reel) and cast off one place. 1st couple dance a half figure of eight down around 3rd couple, ending in 2nd place on own sides.

25 – 32 1st couple turn 1st corner by the right, pass each other by right shoulders, turn 2nd corner by the right, and pass each other by right shoulders to end in progressed places (corners \ turn for 4 bars).

Repeat from new places.

This dance is dedicated to Kate & Ed Nealley, and to Inverarity, with many happy
memories of dancing there.




Dances for September 28, 2026

Video: The College Hornpipe

The College Hornpipe
RSCDS Book 20
32-bar reel for three couples in a four-couple longwise set

Bars Description
1 – 8 1st, 2nd and 3rd couples dance six hands round and back to finish in the middle of the set, facing up.

9 – 16 1st, 2nd and 3rd couples dance a promenade.

17 – 24 1st couple, giving right hands, cross over and cast off one place; giving left hands, cross over and cast off round 3rd couple to meet and lead up to face first corners. 2nd couple step up on bars 19 – 20.

25 – 30 1st couple set to first corners, set to each other across the set, set to second corners and finish facing each other up and down the set.

31 – 32 1st couple, clapping once, turn by the right with two pas de basque steps to second place on own sides.

Repeat, having passed a couple.

W Boag: A Collection of Favourite Reels & Strathspeys by the Most Eminent Composers, 1797.

Original tune: Jolly Tars (Traditional)

TACNotes:’
17-24 Phrasing for 1st cpl is – cross & cast (3 bars), repeat (3 bars), lead up (2 bars). 2nd cpl step up on bars 19-20.


Video: Staffin Harvest

Staffin Harvest
4 Dances 1978 – No. 3
32-bar strathspey for four couples in a four-couple longwise set

1 – 4 1st woman and 2nd man, 3rd woman and 4th man set to each other and, giving right hands, change places.

5 – 8 1st and 3rd couples, on the men’s side and 2nd and 4th couples, on the women’s side, set to partners and, giving right hands, change places.

9 – 16 1st and 3rd couples and 2nd and 4th couples dance reels of four, passing partner by the right to begin.

17 – 20 All set and, giving right hands, cross over. (Fig. 1)

21 – 24 1st and 2nd couples and 3rd and 4th couples dance four hands round to the left, to finish in two diagonal lines. (Fig. 2)

25 – 28 2nd and 1st couples, 4th and 3rd couples dance a half poussette, to finish in original places.

29 – 32 1st couple lead down to fourth place. 2nd, 3rd and 4th couples step up on bars 31-32.

Repeat from new positions.

Devised by H P C Mitchell, Canada, 1976.
Original tune: Miss Elizabeth Magd. Fordyce Strathspey (Robert Mackintosh)

The Manual of Scottish Country Dancing:
Bars 19-20 Cross, giving right hands.
Bars 29-30 1st couple lead down and dance the short way into fourth place.

TACNotes:’
19-20 Cross giving RH.
29-30 1st cpl lead down & cast up into 4th place.


Video: A Flock of Geese

A Flock of Geese
The Slip Knot Collection
Melbourne and Elle Briscoe
Alexandria, Virginia
September 1989

32 bar Jig for five couples in a five couple set

1 – 8 As in The Wild Geese, 1st, 3rd, and 5th couples set advancing, set taking hands (give right hands to partners), and

  • 1st couple turn with the right hand and cast off to fifth place, while
  • 3rd couple turn with the right hand and lead up to first place, while
  • 5th couple turn with the right hand and lead up to third place,
    ending in order 3,2,5,4,1.

9 – 16 Repeat the first eight bars from the new positions, ending in order 5,2,1.4,3.

17 – 24 5th and 1st couples (the top two dancing couples, now in first and third place) lead down for four bars (2nd and 4th couples stepping up on bars 3-4 of the phrase) and lead up to second and fourth places.

25 – 32 2nd and 5th couples, and 1st and 3rd couples (the two couples at the top and the two couples at the bottom) dance right and left: 4th couple in the middle stand still. End in order 2,5,4,1,3, ready to begin again from the new positions.

NOTE: The progression is:

  • end couples move to position next to opposite end
  • middle couple moves to bottom
  • 2nd and 4th couples move up one place

Suggested Recorded Music: The Wild Geese, from Dance to Bobby Crowe’s Band, Thistle Records, BLSP-67, the music is recorded with just 5 repetitions.

Devisor’s note: The dance was devised for the wedding of Lance Ramshaw and Gail Wine in Boston, September 9, 1989, and was presented to them at their wedding celebration dance.




Dances for September 21, 2026

Video: Mrs Stewart’s Jig

Mrs Stewart’s Jig
RSCDS Book 35
32-bar jig for three couples in a four-couple longwise set

1 – 2 1st couple set.

3 – 8 1st woman casts off two places, crosses below 3rd couple and dances up behind 3rd man to second place on opposite side, facing down. 1st man dances across the set, down behind the women’s side, below 3rd woman and up the middle to second place on opposite side facing down. 2nd couple step up on bars 7-8.

9 – 16 2nd, 1st and 3rd couples dance a grand chain. 2nd and 1st men finish facing out.

17 – 24 2nd and 1st couples dance a ladies’ chain.

25 – 28 2nd, 1st and 3rd couples advance and retire.

29 – 32 1st couple, giving right hands, turn one and a half times to own sides.

Repeat, having passed a couple.

Devised by Frans Ligtmans, Eindhoven, 1986.
Original tune: Captain Charles Stewart’s Jigg (Malcolm MacDonald)

TACNotes:
1 – 8 On bar 8, 1st cpl curve by right into 2nd place on opposite side, to finish facing down.


Video: The Braes of Tulliemet

The Braes of Tulliemet
RSCDS Book 7
32-bar strathspey for three couples in a four-couple longwise set

1 – 4 1st couple set and cast off one place on own sides. 2nd couple step up on bars 3-4.

5 – 8 1st couple, giving right hands, cross over and cast off to third place on opposite sides. 3rd couple step up on bars 7-8.

9 – 12 3rd and 1st couples dance four hands once round to the left.

13 – 16 1st couple dance up to the top and cast off one place to face first corners. 3rd couple step down on bars 15-16.

17 – 24 1st couple set to and turn corners and finish facing first corners.

25 – 30 2nd, 1st and 3rd couples dance reels of three on the sides. 1st couple pass first corners by the left to begin.

31 – 32 1st couple, giving right hands, cross to second place on own sides.

Repeat, having passed a couple.

A Perthshire dance. Collected in the Borders.

Original tune:
The Braes of Tulliemet (Miss Stewart’s Collection, 1761).

TACNotes:
9-12 Finish on sidelines.


Video: Cutty Sark

Cutty Sark
RSCDS Book 40
Jig

1 – 8 1st couple cast off and dance down behind own lines. They cast up and dance into second place. 2nd couple step up on bars 3-4.

9 – 16 2nd and 1st couples dance four hands across and back.

17 – 18 1st couple turn with the right hand to face first corners.

19 – 20 1st couple turn first corners with the left hand.

21 – 22 1st couple turn second corners with the right hand.

23 – 24 1st couple, giving left hands, cross to second place.

25 – 28 2nd , 1st and 3rd couples advance and retire.

29 – 32 2nd, 1st and 3rd couples turn with the right hand.

Repeat, having passed a couple.

Scottish Borders Dance Festival, 1992.
Tune: Thrums March


Video: THE HIGHLAND RAMBLER

THE HIGHLAND RAMBLER
(a 40 bar reel for 3 couples)
Roy Goldring, Leeds Branch, Silver Jubilee.

1 – 4 1st couple dance towards each other then cast to 2nd place; 2nd couple steps up.

5 – 8 1st and 3rd couples dance Right Hands Across once around; 1st lady remains facing out.

9 – 12 1st and 2nd couples dance Left Hands Across once around; 1st lady remains facing out.

13 – 16 1st lady followed by her partner casts up around 2nd lady and dances down the middle to finish 1st lady between 3rd couple and 1st man between 2nd couple; all facing down.

17 – 24 In lines of three, all dance down the set, turn (pulling back right shoulders) and dance up again; 1st couple remains facing up.

25 – 28 1st man followed by his partner casts off one place on the ladies’ side and dances across the set to 2nd place on his own side; 1st lady finishes on her own side.

29 – 32 1st couple turns by the Right Hand.

33 – 40 2nd, 1st and 3rd couples dance Six Hands Round and back.

Repeat, having passed a couple.




Dances for May 4, 2026

Ardbrae Dancers of Ottawa

Video: A Glasgow Welcome

A Glasgow Welcome
Glasgow Branch 100th Anniversary
32-bar jig for three couples in a four-couple longwise set

1 – 8 1st couple set and, giving right hands, cross down one place, cast off behind 3rd couple and dance up to finish back to back in the middle in second place facing opposite sides. 2nd couple step up on bars 3-4.

9 – 16 ‘Rotating double triangles’
9 – 10 1st couple with their 1st and 2nd corners, set in double triangles position.
11 – 12 1st couple set moving round back to back three quarters clockwise, to finish with the man in the middle, facing up, and the woman in the middle, facing down. At the same time, corners dance a petronella turn one corner position anticlockwise.
13 – 14 1st couple with 1st and 2nd corners, set in crown triangles position.
15 – 16 1st couple set moving round back to back clockwise, pulling back by the right to finish, woman in the middle of first place facing the women’s side, man in the middle of third place facing the men’s side. At the same time, corners dance a petronella turn one corner position anticlockwise.

17 – 24 1st woman with 3rd couple and 1st man with 2nd couple dance reels of three across the set. 1st woman and 3rd man, and 1st man and 2nd woman pass by the right to begin. 1st couple finish in second place on opposite sides.

25 – 28 1st man with 3rd couple and 1st woman with 2nd couple dance right hands across once round.

29 – 32 3rd, 1st and 2nd couples dance clockwise halfway round the set to own sides.

Repeat, having passed a couple.

Devised by Niall Bootland.


Video: Best Set in the Hall

Best Set in the Hall
RSCDS Book 46
32-bar jig for three couples in a four-couple longwise set

1 – 8 1st couple set and 1st woman, followed by her partner, casts off two places, crosses over below 3rd couple, casts up and dances in to face first corner. 1st man dances up the middle of the set to face his first corner. 2nd couple step up on bars 7-8.

9 – 12 1st couple and first corners set and, 1st couple, pulling back by the right, dance around each other and out to finish in partner’s first corner position. At the same time, first corners dance in towards each other and, pulling back by the right, finish back to back in the middle facing own places. (Fig.)

13 – 16 1st couple and first corners set and first corners, pulling back by the right, dance around each other and out to finish in opposite corner’s position. At the same time, 1st couple dance towards each other and, pulling back by the right, finish back to back in the middle facing second corners.

17 – 24 1st couple repeat bars 9-16 with second corners and pass each other by the right to finish in second place on opposite sides. 3rd, 1st and 2nd couples face clockwise.

25 – 28 3rd, 1st and 2nd couples dance clockwise halfway round the set.

29 – 32 2nd, 1st and 3rd couples, giving right hands, turn once round.

Repeat, having passed a couple.

Devised by Helen Greenwood, Auckland, New Zealand.
Note: the movement in bars 9-24 was devised by the late Alec Hay.

Notes Compiled by teachers, Summer School , St Andrews 2010
15-16 1st couple turn on the spot.

TACNotes:1-8 1st woman dances straight in on bar 8 to face 1st corner.




Dances for April 27, 2026

Ardbrae Dancers of Ottawa

Video: The Calm Before The Storm

The Calm Before The Storm
Ian Boyd, THE KILMARNOCK ALBUM
A three couple, 32 bar reel.

1 – 8 First couple dance a chase round second and third men. First woman dances down across the set, round third man passing by the left shoulders, up behind second man and across to own side while first man dances into the middle then follows his partner back to his original place.

9 – 16 First and second couples dance right hands across and back with the left.

17 – 24 First couple dance a chase round second and third women.First man dances down across the set, round third woman passing by right shoulders, up behind second woman and across to own side while first woman dances into the middle then follows her partner back to her original place. First and second couples finish facing the diagonally opposite dancer.

25 – 32 First and second couples dance set and rotate.

25-26 First and second couples set once to the diagonally opposite dancer and begin to turn right about on the spot on bar 26.
27-28 First and second couples cast to the right and dance on one place clockwise to finish facing partner – first couple on the women’s side and second couple on the men’s side.
29-30 First and second couples change places with partner with right hands.
31-32 First and second couples dance on one place clockwise to finish back on own sides having changed places.


Video: The Falkirk Lass

The Falkirk Lass
THREE COUPLES 8 x 32 STRATHSPEY
The Merse Collection [Elaine Brunken]

1 – 4 1st couple turn by the right hand, and cast off one place. (2nd couple step up on 3 and 4).

5 – 8 1st couple cross by the left hand, 1st lady cast down around 3rd man, to finish between 3rd couple as 1st man casts up around 2nd woman, to finish between 2nd couple (all face up or down).

9 – 12 All advance for one step, retire for one step and change places by the right hand, up and down the dance.

13 – 16 All advance for one step, retire for one step, 2nd and 3rd couples change places by the right hand, up and down the dance while the 1st couple turns ¾ by the right hand to face 1st corners.

17 – 20 1st corners pass and turn: 1st couple dance around 1st corners by the right shoulder, dance in through the ends and pass each other by the right shoulder, up and down the dance to face 2nd corners, while corners dance in (1 bar), turn with two hands (1 bar), and dance out to place (2 bars).

21 – 24 2nd corners pass and turn, 1st couple pass right shoulders to finish to finish in 2nd place on their own sides.

25 – 32 All three couples circle round to the left and back to the right.

Repeat, having passed a couple.




Dances for April 20, 2026

Ardbrae Dancers of Ottawa

Video: The March Hare

The March Hare
3/3L · R32
Michael Ross Bentley

1-8 1s cross RH, cast down 1 place 2s+1s+3s set & 1s turn LH to face 1st corners

9-16 1s dance ‘Hello-Goodbye’ setting & end turning RH to 2nd place own sides facing out

17-24 1s dance out & chase clockwise to 2nd place opposite sides while 2M+3L change places RH then 2L+3M change places RH; 1s dance 1/2 reels of 3 on sides, LSh to 1st cnr pstn to start

25-32 1s dance 1/2 LSh reels of 3 across (LSh to 3rd cnr pstn to start) ending in 2nd place own sides; 1s turn RH & cast to 3rd place 2 3 1


Video: Sugar Candie

Sugar Candie
RSCDS Book 26
32-bar strathspey for three couples in a four-couple longwise set

1 – 4 1st couple set and cast off one place. 2nd couple step up on bars 3-4.

5 – 8 1st couple, passing each other by the left, dance round first corners by the right. On bar 8, 1st couple pull back by the right to finish back to back in the middle, woman facing up, man facing down.

9 – 12 1st woman and 2nd couple, 1st man and 3rd couple dance three hands round to the left. 1st couple pull back by the right to finish facing each other up and down the set.

13 – 16 1st couple set and, giving both hands, turn to face first corners. On bar 16, 1st couple open out as 1st man releases his partner’s right hand.

17 – 24 1st couple turn first corners with the right hand, partner with the left hand, second corners with the right hand and, giving left hand to partner, turn to face first corners.

25 – 30 1st couple dance reels of three on the sides passing first corners by the left to begin.

31 – 32 1st couple, giving right hands, cross to second place on own sides.

Repeat, having passed a couple.

Original tune: The Earl of Angus and Arran (William Marshall, A Collection of Scottish Melodies, Volume 4, 1844).




Dances for April 13, 2026

Ardbrae Dancers of Ottawa

Video: Best Set in the Hall

Best Set in the Hall
RSCDS Book 46
32-bar jig for three couples in a four-couple longwise set

1 – 8 1st couple set and 1st woman, followed by her partner, casts off two places, crosses over below 3rd couple, casts up and dances in to face first corner. 1st man dances up the middle of the set to face his first corner. 2nd couple step up on bars 7-8.

9 – 12 1st couple and first corners set and, 1st couple, pulling back by the right, dance around each other and out to finish in partner’s first corner position. At the same time, first corners dance in towards each other and, pulling back by the right, finish back to back in the middle facing own places. (Fig.)

13 – 16 1st couple and first corners set and first corners, pulling back by the right, dance around each other and out to finish in opposite corner’s position. At the same time, 1st couple dance towards each other and, pulling back by the right, finish back to back in the middle facing second corners.

17 – 24 1st couple repeat bars 9-16 with second corners and pass each other by the right to finish in second place on opposite sides. 3rd, 1st and 2nd couples face clockwise.

25 – 28 3rd, 1st and 2nd couples dance clockwise halfway round the set.

29 – 32 2nd, 1st and 3rd couples, giving right hands, turn once round.

Repeat, having passed a couple.

Devised by Helen Greenwood, Auckland, New Zealand.
Note: the movement in bars 9-24 was devised by the late Alec Hay.

Notes Compiled by teachers, Summer School , St Andrews 2010
15-16 1st couple turn on the spot.

TACNotes:1-8 1st woman dances straight in on bar 8 to face 1st corner.


Video: The Dream Catcher

The Dream Catcher
RSCDS, Book 45
(96-bar Strathspey for four couples in a square set)

Part 1
1 – 8 All dance eight hands round and back.

9 – 16 The swirl

9 – 10 1st and 3rd couples turn partners with the right hand once round to finish in allemande hold facing across the set.

11 – 12 1st and 3rd couples dance round each other half way, men passing left shoulders, to finish in the middle of the set. On bar 12, 1st and 3rd couples release right hands and retain left hands.

13 – 16 1st and 3rd couples dance left hands across. On bar 16 they dance in and, pulling back left shoulder, dance on to finish back to back with partner facing the side couples. 1st woman and 3rd man face 2nd couple, 3rd woman and 1st man face 4th couple. [Fig.]

17 – 24 All dance reels of four across the dance, passing right shoulders to begin.

25 – 26 All set.

27 – 32 1st man with 3rd woman, 3rd man with 1st woman, retaining nearer hands, dance out between the 4th and 2nd couples respectively, cross and cast to places then, giving right hands, change places with partners.

Part 2
1 – 4 All four couples, joining nearer hands with partners, set then advance to join hands in a circle in the middle.

5 – 8 Releasing partners’ hands and retaining nearer hands with corners, all retire on the diagonal and set.

9 – 16 1st woman and 4th man, 2nd man and 3rd woman dance rights and lefts. To begin, 1st woman gives right hand to 2nd man and 4th man gives right hands to 3rd woman.

17 – 24 1st man and 2nd woman, 4th woman and 3rd man dance rights and lefts. To begin, 1st man gives right hand to 4th woman and 2nd woman gives right hand to 3rd man.

25 – 28 All four couples, joining nearer hands with corners, set then advance to join hands in a circle in the middle.

29 – 32 Releasing corners’ hands and retaining nearer hands with partners, all retire to original places and set.

Part 3
1 – 8 2nd and 4th couples repeat bars 9-16 of Part 1.

9 – 16 All dance reels of four up and down the dance, passing right shoulders to begin.

17 – 18 All set.

19 – 24 2nd man with 4th woman, 4th man with 2nd woman, retaining nearer hands, dance out between the 1st and 3rd couples respectively, cross and cast to places then, giving right hands, change places with partners.

25 – 32 All dance eight hands round and back.

Devised by Eileen Orr, RSCDS Royal Tunbridge Wells Branch and first published by that branch in the Silver Anniversary Book of Dances (2001). The swirl was devised by Alex Gray of South Wales Branch and first introduced in two dances published by Edinburgh Branch in Edinburgh Diamond Jubilee Dances 1984.

Shows position at end of bar 15 of Part 1 and track of 1st woman and 3rd man on bar 16. 3rd woman and 1st man dance similarly.

The dream catcher is like a spider’s web, decorated with beads, semi-precious stones, feathers and strips of leather. Native North Americans believe that good and bad dreams come from the night sky and that bad dreams are trapped in the web, allowing only good dreams to get through. The bad dreams then evaporate in the rays of the early morning sun.

Note:
The RSCDS Technique Committee has provided the following additional information:

Bars 9-10 1st & 3rd couples dance a complete turn RH, finishing in allemande hold, facing into the set.

Bars 11-12 1st & 3rd couples dance half way round each other, men passing left shoulder, to finish in the middle of the set, facing towards their original places (1st couple facing 1st couple’s place), – during bar 12 all release RH and join up LH in the middle.

Bars 13-15 1st & 3rd couples dance LH across, nearly once round (more than ¾).

Bar 16 1st & 3rd couples release LH and all pull back L Sh to turn completely round, moving slightly forward, (a “pirouette” movement), to finish ready for the reels of 4 across, 1st & 3rd couples are back to back with partner, 1M facing 4L, 1L facing 2M.

In practice the LH across is virtually all the way round and the pirouette is then almost on the spot.

Note: Although we have referred to it as a “pirouette”, a small travelling step is used to turn round.




Dances for March 30, 2026

Ardbrae Dancers of Ottawa

Video: Jones Falls Hornpipe

Jones Falls Hornpipe
32 Bar Hornpipe
3 Couples

1 – 4 First couple set and cast off to second place. Second couple step up on bars 3 and 4.

5 – 8 First lady dances three hands across right hand with second couple. First man dances three hands across right hand with third couple. First couple finish in the middle of the dance, first lady facing up and first man facing down the dance.

9 – 10 First couple set as in double triangles. First lady with second couple. First man with third couple.

11 – 14 First lady dances up the dance, casts off round second lady and, passing right shoulders with her partner and finishes in the middle of the dance facing down the dance. First man dances down the dance, casts up round third man and, passing right shoulders with his partner and finishes in the middle of the dance facing up the dance.

15 – 16 First couple set as in double triangles, first man with second couple, first lady with third couple.

17 – 20 First man dances up the dance and casts up round first lady’s position to finish in second lady’s position facing down the dance. First lady dances down the dance and casts off round third man’s position to finish in second man’s position facing up the dance. Meanwhile second and third couples dance half rights and lefts starting by dancing up and down the dance and finish facing out on the opposite side of the dance.

21 – 24 First lady dances left shoulder half reel of three with second and third ladies giving left shoulder to third lady to start. First man dances left shoulder half reel of three with second and third men giving left shoulder to second man to start. Second and third couples finish the half reel facing up and down the dance.

25 – 28 First couple dance a quick turn left hands 3/4 turn. First man dances down the dance and cast off round third man’s position to finish in second man’s position facing up the dance. First lady dances up the dance and cast up round first lady’s position to finish in second lady’s position facing down the dance. Meanwhile second and third couples dance half rights and lefts starting by dancing up and down the dance and finish facing out on their own side of the dance.

29 – 32 First lady dances left shoulder half reel of three with second and third lady giving left shoulder to second lady to start. First man dances left shoulder half reel of three with second and third men giving left shoulder to third man to start.

Written by Charlie Inglis to recognise the tremendous amount of work undertaken by Eileen Black in organizing the Jones Falls Weekend Workshop for twenty-five years on behalf of the RSCDS Ottawa Branch


Video: The Jubilee Greeting

The Jubilee Greeting
John Drewry, Bankheand Book, Part 5
April 1990
A dance for the Silver Jubilee of the Ottawa Branch in 1991

Strathspey – 3 couples – 32 bars
Tune – “The Homecoming” by Moira Reekie ;
The tune was printed in the leaflet produced by the Ottawa Branch.

1 – 4 1st couple turn with both hands halfway round and, staying in the middle (close enough the join hands), set to each other.

5 – 8 1st couple, giving right hands, cross back to own sides and cast off to face first corners. 2nd couple step up on bars 7-8.

9 – 10 1st couple turn their first corners with both hands three quarters round and open out to face diagonally across the dance with nearer hands still joined. (The corners are on the left of 1st couple)

11 – 12 1st couple and their first corners set.

13 – 16 1st couple and their first corners advance diagonally, pass the opposite person by the left and then, staying in the middle, dance left hands across part way round. The corners return to place while 1st couple finish in the middle facing 2nd corners. N.B. The dancers should retain hold of nearer hands during bar 13.

17 – 24 1st couple repeat bars 9-16 with second corners. At the end, 1st couple finish facing partner’s first corner.

25 – 32 1st man dances a reel of three across the dance with 2nd couple. He begins by giving right shoulder to 2nd man. 1st woman, similarly, dances a reel of three across the dance with 3rd couple. She begins by giving right shoulder to 3rd woman. At the end, 1st couple dance to second place on own sides.

Repeat, having passed a couple.

NOTE This dance was published with music in a leaflet by the Ottawa Branch of the RSCDS.

The leaflet does not seem to have been distributed widely and so, because I am rather fond of the dance, I have decided to print it here.


Video: Juniper Island Square

Juniper Island Square
Patrick Mackenzie, Ottawa 60th Anniversary Book
A 96 bar jig for 4 couples in a square set

1 – 8 Women weave clw around set, dancing in front of their ptnr to begin.
9 – 16 Men repeat, weaving cclw and dancing front of ptr to begin.

17 – 24 1C dance down as 3C dance up (1C making an arch for 3C to pass under ) and, turning toward their partner, dance back to places, 3C making an arch for 1C to pass under.

25 – 32 2C and 4C repeat bars 17-24, with 2C making the arch first time and 4C making the arch on the return.

33 – 40 All turn crnr LH (4), turn ptnr RH (4) into allemande hold facing cclw

41 – 48 In allemande hold, dance cclw around the set back to place.

49 – 57 1C and 3C advance for 2, retire for 2, turn person opposite RH once round

58 – 64 2C and 4C repeat bars 49-57

65 – 72 All dance back to back with corner, then back to back with partner, finish facing partners.

72 – 88 All pass partner giving right, pass next person giving left hand, and so on, around the set and back to place, 2 bars per person passed.

88 – 96 Circle 8 hands round and back.

Instructions taken from the Ottawa Branch Ball program 2026




Dances for March 23, 2026

Ardbrae Dancers of Ottawa

Video: Seeing Stars

Seeing Stars
Eilidh Hart, Glasgow Branch 100th anniversary Dances
40-bar reel for five couples in a five-couple longwise set

1 – 4 1st and 3rd couples set advancing into the middle of the set and dance right hands across halfway, 3rd man and 1st woman remain facing out.

5 – 8 3rd man, followed by his partner, dances down behind 2nd woman and across the set, while 1st woman, followed by her partner, dances up behind 2nd man and across the set. 1st and 3rd couples finish in original places.

9 – 12 2nd and 4th couples set advancing into the middle of the set and dance left hands across halfway. 2nd man and 4th woman remain facing out.

13 – 16 2nd man, followed by his partner, dances up behind 3rd woman and across the set, while 4th woman, followed by her partner, dances down behind 3rd man and across the set. 2nd and 4th couples finish in original places.

17 – 24 1st and 3rd couples lead down the middle and up to face first corners. 2nd and 4th step up on bars 23-24.

25 – 32 1st and 3rd couples dance set to corners and partner [hello-goodbye setting], with a petronella turn to finish, 1st couple in second place and 3rd couple in fourth place, all on own sides.

33 – 36 1st and 3rd couples, giving right hands, cross over and cast off one place.

37 – 40 1st and 3rd couples, giving right hands, turn one and a half times to their own sides,

Repeat from new positions.

Devised by Eilidh Hart.

Eilidh was helping candidates prepare for their Unit 2 examination in Glasgow and could see the Advanced Class, on the other side of the hall, working on setting steps, which made her think of star formations.

Deviser’s note:
“As there is little time for the dancing couples to rest in this dance, I feel that they may also be seeing stars before the end!”


Video: Langholm Fair

Langholm Fair
The Alexander Dances, Book 3 by Jean Attwood
Strathspey – 3 Couples – 32 Bars.
Tune – Mr. Michie (Skinner)

1 – 4 The boys looking for a partner – 1st man, followed by 2nd and 3rd men, dance across the top of the set and down behind the ladies.
5 – 6 1st man crosses to 3rd place below 3rd lady, 2nd man to 2nd place below partner and 3rd man to 1 st place below 1st lady.
7 – 8 All join hands on the side and set once.

9 – 16 General movement of the Fair – 2nd lady with 1st lady and 3rd man. 2nd man with 1st man and 3rd lady dance right hands across, 2nd couple passing each other by the right to dance left hands across with other “couple”.

17 – 20 Girls choose their partners – 1st lady, followed by 2nd and 3rd ladies, dance across the top of the set and down behind the men, to end side by side with original partner, the men having turned the longways round on bar 20.
21 – 24 1st couple, followed by 2nd and 3rd couples, dance half promenade to original places, 1st couple finishing side by side in the middle of the set facing up.

25 – 26 The handfasting – 1st couple cast off one place on own side while 2nd couple continue dancing up on the side.
27 – 28 1st couple turn once round with both hands.
29 – 30 The marriage – 1st couple cast off another place on own side, 3rd couple moving up.
31 – 32 1st couple turn once round with both hands.

Repeat with a new top couple.

Handfasting was a form of trial marriage which took place in Scotland during the 16th to 18th centuries. Annual Handfasting Fairs were held (one such being near Langholm, in the Borders) where young couples, joining hands before witnesses, would undertake to live together as man and wife for the following twelve months. They would then return to the Fair the next year where, if the handfasting had proved satisfactory, they would be married by a travelling priest.