{"id":501,"date":"2019-04-04T20:17:49","date_gmt":"2019-04-05T00:17:49","guid":{"rendered":"https:\/\/www.ottawadancescottish.org\/?p=501"},"modified":"2019-04-04T20:17:49","modified_gmt":"2019-04-05T00:17:49","slug":"dances-for-april-8-2019","status":"publish","type":"post","link":"https:\/\/www.ottawadancescottish.org\/?p=501","title":{"rendered":"Dances for April 8, 2019"},"content":{"rendered":"
\"image_pdf\"<\/a>\"image_print\"<\/a><\/div>\n

Video: Les Remparts de S\u00e9v111e<\/a><\/p>\n\n\n\n

Les Remparts de S\u00e9v111e<\/strong>
RSCDS Book 51
32-bar jig for three couples in a four\u2014couple longwise set<\/p>\n\n\n\n

1 \u2013 4 1st couple set and cast off one place. 2nd couple step up on bars 3 \u2013 4.<\/p>\n\n\n\n

5 \u2013 8 1st woman dances a half figure of eight round 2nd couple; 1st man dances a half figure of eight round 3rd couple.<\/p>\n\n\n\n

9 \u2013 10 1st couple, giving left hands, turn to face first corners.<\/p>\n\n\n\n

11 \u2013 16 1st couple set to first corners, set to partner across the dance, set to second corners and finish 1stman between 2nd couple facing down and 1stwoman between 3rd couple facing up. (Note.)<\/p>\n\n\n\n

17 \u2013 20 2nd, 1st and 3rd couples set and link.<\/p>\n\n\n\n

21 \u2013 24 2nd, 1st and 3rd couples set and, giving right hands, cross over.<\/p>\n\n\n\n

25 \u2013 32 2nd, 1st and 3rd couples dance six hands round and back.<\/p>\n\n\n\n

Repeat, having passed a couple.<\/p>\n\n\n\n

Note: Bars 11 \u2013 16 are the same as bars 1 \u2013 6 of the formation set to corners and partner.<\/p>\n\n\n\n

Devised by Ali\u00e9nor Latour, Paris Branch, March 2014.<\/p>\n\n\n\n

In Act 1 0f Bizet\u2019s opera \u201dCarmen\u201d the heroine asks to meet her lover at a tavern by Seville\u2019s City walls (Les Remparts). The dance was written in Seville, Spain.<\/p>\n\n\n\n

No Video: Sorry<\/p>\n\n\n\n

A Toast to Portland<\/strong><\/p>\n\n\n\n

David G. Queen 2012
\n32 Bar Strathspey for 3 Couples<\/p>\n\n\n\n

1 \u2013 6 All 3 couples set and dance half a turn with the right hand, face partner and cast away pulling back the right shoulder, onto the opposites side.<\/p>\n\n\n\n

7 \u2013 8 All 3 couples chase clockwise for 2 bars to finish in lines of 3 across the dance with the men at the bottom and the ladies at the top.<\/p>\n\n\n\n

9 \u2013 16 All 3 couples dance six hands round and back finishing in lines of 3 across the dance.<\/p>\n\n\n\n

17 \u2013 22 All 3 couples set and dance half a turn with the right hand, face partner and cast away pulling back the right shoulder to finish in lines of 3 across the dance with the men at the top and the ladies at the bottom.<\/p>\n\n\n\n

23 \u2013 24 All 3 couples chase clockwise for 2 bars to on the opposite sides in the order 3, 2, 1.<\/p>\n\n\n\n

25 \u2013 28 2nd and 3rd couples dance half rights and lefts.<\/p>\n\n\n\n

29 \u2013 32 1st couple dance half a figure of 8 around the 2nd couple giving right hands as they cross up to finish at the bottom on own sides.<\/p>\n\n\n\n

This dance was devised to accompany a tune written by Deby Benton Grosjean dedicated to the staff of TAC 2012 <\/p>\n","protected":false},"excerpt":{"rendered":"

Video: Les Remparts de S\u00e9v111e Les Remparts de S\u00e9v111e RSCDS Book 51 32-bar jig for three couples in a four\u2014couple longwise set 1 \u2013 4 1st couple set and cast off one place. 2nd couple step up on bars 3 \u2013 4. 5 \u2013 8 1st woman dances a half figure of eight round 2nd … Continue reading Dances for April 8, 2019<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,9,1],"tags":[],"class_list":["post-501","post","type-post","status-publish","format-standard","hentry","category-ardbrae","category-ardbrae-2019","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=501"}],"version-history":[{"count":1,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/501\/revisions"}],"predecessor-version":[{"id":502,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/501\/revisions\/502"}],"wp:attachment":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}