{"id":708,"date":"2022-11-11T21:50:27","date_gmt":"2022-11-12T01:50:27","guid":{"rendered":"https:\/\/www.ottawadancescottish.org\/?p=708"},"modified":"2022-11-11T21:50:27","modified_gmt":"2022-11-12T01:50:27","slug":"dances-for-november-14-2022","status":"publish","type":"post","link":"https:\/\/www.ottawadancescottish.org\/?p=708","title":{"rendered":"Dances for November 14, 2022"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-right\"><a href=\"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F708&print=pdf\" class=\"pdfprnt-button pdfprnt-button-pdf\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/www.ottawadancescottish.org\/wp-content\/plugins\/pdf-print\/images\/pdf.png\" alt=\"image_pdf\" title=\"View PDF\" \/><\/a><a href=\"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F708&print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/www.ottawadancescottish.org\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><\/a><\/div>\n<p class=\"wp-block-paragraph\">Video: <a href=\"https:\/\/youtu.be\/1EK3PeGsrhY\" target=\"_blank\" rel=\"noreferrer noopener\">Miss Gibson\u2019s Strathspey<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Miss Gibson\u2019s Strathspey<\/strong><br \/>RSCDS Leaflet \u2013 No. 10<br \/>(Strathspey)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 8 1st and 2nd couples set on side lines joining nearer hands, then turn partners with two hands once round, opening out into four hands once<br \/>round to the left. Finish in original places.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9 \u2013 16 1st and 2nd couple dance the KNOT On the last 2 bars 1st couple turn with left hands to first corners while 2nd couple dance over to own sides, in top place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17 \u2013 24 1st couple turn first corners with right hands, partner with left hands, second corners with right hands, and partner with left hands, finishing ready for,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25 \u2013 28 Right hands across, 1st man with 3rd couple, 1st woman with 2nd couple. 1st couple pass right shoulders into \u2013<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">29 \u2013 32 Left hands across, 1st man with 2nd couple, 1st woman with 3rd couple, 1st couple finishing in second place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repeat, having passed a couple.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Devised by Derek Haynes, 1979. Inscribed to Miss Muriel Gibson, Secretary R.S.C.D.S.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Manual of Scottish Country Dancing:<br \/>Bar 24 1st couple stay in the centre of the set at the end of the left hand turn ready to dance right hands across.<br \/>Bar 28 Similarly, 1st couple pass right shoulders in the centre of the set to dance left hands across. They do not<br \/>dance out to the sidelines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TACNotes:\u2019<br \/>23-24 1st cpl dance a wide, three-quarter LH turn &amp; flow into RH across on bar 25.<br \/>28 As 1st cpl pass R shoulders, 2nd &amp; 3rd cpls turn inwards ready to give left hands. Do not dance out to sidelines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No Video<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Links o\u2019 Forth<\/strong><br \/>Robert M. Campbell, Glasgow Assembly and other SCDs<br \/>Hornpipe for three couples<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 8 First and second couples dance &#8220;THE KNOT&#8221;, first couple to finish facing outon own sides, i.e.,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 2 First and second couples turn partner half way round with the right hand to finish in the centre facing down, the women turning clockwise under their partner&#8217;s arm into Allemande position.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3 \u2013 4 Second couple, followed by first couple, curve round and dance up the women&#8217;s side, Right hands are released on bar 4, the men passing their partner across in front of them to finish with the women slightly in the lead. See Figure 1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5 \u2013 8 Both couples turn their partner with the left hand, second couple to finish in top place, first couple to finish facing out on own sides in second place. (As they dance both couples centre their turns in the middle.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9 \u2013 16 First man and first woman cast round the dancer on their left, meet in the middle to turn once round with the left hand then cast round the dancer on their left to finish on own sides in second place. See Figure 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17 \u2013 20 First couple turn their first corners with the right hand and meet in the middle to pass by the right shoulder. First corners dance for the four bars to finish back in place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">21 \u2013 24 Passing by the right shoulder first couple turn second corners with the left hand then dance round each other by the left shoulder to finish facing out on opposite sides. Second corners dance for the four bars to finish back in place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25 \u2013 32 First couple dance reels of three on opposite sides, first man giving left shoulder to second woman, first woman left shoulder to third man to begin. On bars 31-32 first couple cross over, first man up, first woman down, to finish in second place on own sides.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repeat, having passed a couple.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Video: <a href=\"https:\/\/youtu.be\/vd6is53lfdQ\" target=\"_blank\" rel=\"noreferrer noopener\">There and Back<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>There and Back<\/strong><br \/>Graded and Social Dances 3 devised by Roy Goldring<br \/>32 bar Reel for 3 couples<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 8 1st couple, crossing down to begin, dance a figure of eight round 2nd couple.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9 \u2013 16 Reels of three on the sides. To begin, 1st couple cross down to 2nd place, 2nd couple dance out and up, 3rd couple dance in and up. 1st couple finish in partner\u2019s place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17 \u2013 24 Reels of three on the sides. To begin, 1st couple cross down to 2nd place on own side. 1st couple finish in own place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25 \u2013 28 1st couple dance (nearer hands joined) down between 2nd and 3rd couples, divide and cast up one place. 2nd couple step up one place on bars 27-28.<br \/>29 \u2013 32 2nd, 1st and 3rd couples turn with right hands.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repeat having passed a couple.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tune: Ferguson Frolics (Muriel Johnstone)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Video: <a href=\"https:\/\/youtu.be\/k5e5hFLI9s8\" target=\"_blank\" rel=\"noreferrer noopener\">The Shetland Shepherdess<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Shetland Shepherdess<\/strong><br \/>The San Andreas Collection by Ron Wallace<br \/>32 bar Jig for 3 couples in a 4 couple set<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 4 1st couple dance down between 2nd couple and cast up to original place<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5 \u2013 8 1st couple half figure of 8 down around 2nd couple<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9 \u2013 16 2nd, 1st and 3rd couple cross-over mirror reels of three on the sides, 1st couple cross to 2nd place on own side to begin, 2nd couple out and up and 3rd couple in and up; 2nd couple ends facing out<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17 \u2013 18 1st and 2nd women half turn by the LEFT hand while 1st and 2nd men half turn by the RIGHT hand<br \/>19 \u2013 20 1st and 3rd women turn by the RIGHT hand while 1st and 3rd men turn by the LEFT hand, 1st couple ends in the middle facing up, and 3rd couple ends back in 3rd place (for 1st couple the turn is \u00be but for the 3rd couple the turn is once round)<br \/>21 \u2013 24 1st couple dance up the middle to the top of the set and cast to 2nd place own side<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25 \u2013 32 2nd, 1st and 3rd couples advance and retire, all clap (last beat of Bar 28), and all turn partner by the RIGHT hand once round.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Music: \u201cThe Shetland Shepherdess\u201d by Ron Wallace<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This title was inspired by a trip to Oslo, Norway, to teach SCD where I met Caroline Nicol, a Shetland shepherdess shepherding in Norway! The dance and music are dedicated to Susan Hagen, my hostess, and all the fine folk in the Oslo SCD Group.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Video: <a href=\"https:\/\/youtu.be\/9DrHp8vfYyY\" target=\"_blank\" rel=\"noreferrer noopener\">The Button Boy<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Button Boy<\/strong><br \/>The Allanton Collection, 9 New Dances<br \/>32 bar Reel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1 \u2013 8 First couple dance reels of three on their own sides first and second<br \/>men giving right shoulder, first and second ladies giving left shoulder<br \/>to begin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9 \u2013 16 First couple dance reels of three on opposite sides, first man giving<br \/>right shoulder to third lady, first lady giving left shoulder to third man<br \/>to begin. Second couple finish the reels in first place, first couple in<br \/>the middle of the set back to back, facing the opposite side.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17 \u2013 24 Double Triangles, first couple finish facing the bottom of the set with<br \/>nearer hands joined, first man with his partner on his right.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25 \u2013 32 First couple dance down the middle, change sides at the end of bar 28<br \/>(lady dancing under her partner\u2019s arm), and back into second place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repeat having passed a couple.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dance devised by Bill Zobel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The nautical flavour of the tune gave rise to the title \u201cThe Button Boy\u201d. In the Naval tradition of manning the mast, the button boy is the seaman chosen to climb all the way to the top and stand on the button. This is deemed to be a high accolade.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This tune is a favourite of Bill\u2019s who could also be described as the \u201cbutton boy\u201d when sitting at the sound desk in our recording studio at Allanton.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video: Miss Gibson\u2019s Strathspey Miss Gibson\u2019s StrathspeyRSCDS Leaflet \u2013 No. 10(Strathspey) 1 \u2013 8 1st and 2nd couples set on side lines joining nearer hands, then turn partners with two hands once round, opening out into four hands onceround to the left. Finish in original places. 9 \u2013 16 1st and 2nd couple dance the &hellip; <a href=\"https:\/\/www.ottawadancescottish.org\/?p=708\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dances for November 14, 2022<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,20,24,4,38,1],"tags":[],"class_list":["post-708","post","type-post","status-publish","format-standard","hentry","category-8x32-jigs","category-8x32-reels","category-8x32-strathspeys","category-ardbrae","category-ardbrae-fall-2022","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=708"}],"version-history":[{"count":2,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/708\/revisions"}],"predecessor-version":[{"id":710,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/708\/revisions\/710"}],"wp:attachment":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}