{"id":930,"date":"2024-11-20T21:47:47","date_gmt":"2024-11-21T01:47:47","guid":{"rendered":"https:\/\/www.ottawadancescottish.org\/?p=930"},"modified":"2024-11-20T21:47:47","modified_gmt":"2024-11-21T01:47:47","slug":"dances-for-november-25-2024","status":"publish","type":"post","link":"https:\/\/www.ottawadancescottish.org\/?p=930","title":{"rendered":"Dances for November 25, 2024"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-right\"><a href=\"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F930&print=pdf\" class=\"pdfprnt-button pdfprnt-button-pdf\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/www.ottawadancescottish.org\/wp-content\/plugins\/pdf-print\/images\/pdf.png\" alt=\"image_pdf\" title=\"View PDF\" \/><\/a><a href=\"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F930&print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/www.ottawadancescottish.org\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><\/a><\/div>\n<h2 class=\"wp-block-heading\">Ardbrae Dancers of Ottawa<\/h2>\n\n\n\n<p>Video: <a href=\"https:\/\/youtu.be\/KimyCg7tN3Q\" target=\"_blank\" rel=\"noreferrer noopener\">John of Bon Accord<\/a><\/p>\n\n\n\n<p><strong>John of Bon Accord<\/strong><br \/>RSCDS Book XXXIII<br \/>(Reel)<\/p>\n\n\n\n<p>1 \u2013 16 Four progressive half-reels of three across the dance \u2013 danced as follows:<\/p>\n\n\n\n<p>1 \u2013 4 1st couple with 2nd woman dance a half-reel of three. 1st woman passes her partner with the right shoulder to begin and finishes in the middle of the set facing her own side of the dance. 1st man finishes in 1st woman\u2019s original place and 2nd woman in 1st man\u2019s original place.<\/p>\n\n\n\n<p>5 \u2013 8 1st couple with 2nd man dance a half-reel of three. 1st woman passes her partner with the left shoulder to begin and finishes in the middle of the set facing the men\u2019s side of the dance. 1st man finishes in 2nd man\u2019s original place and 2nd man in 1st woman\u2019s original place.<\/p>\n\n\n\n<p>9 \u2013 12 1st couple repeat bars 1-4 with 3rd woman who finishes in 2nd man\u2019s original place.<\/p>\n\n\n\n<p>13 \u2013 16 1st couple repeat bars 5-8 with 3rd man, who finishes in 2nd woman\u2019s original place. 1st couple finish in third place in the middle of the set.<\/p>\n\n\n\n<p>17 \u2013 20 1st couple turn with right hands and cast up one place on own sides. 3Rd couple step down on bars 19-20.<\/p>\n\n\n\n<p>21 \u2013 24 1st couple dance half figure of eight round 2nd couple.<\/p>\n\n\n\n<p>25 \u2013 28 2nd, 1st and 3rd couples turn partners with right hands three-quarters round to finish in a line up and down the dance; facing partners and retaining right hands, all set.<\/p>\n\n\n\n<p>29 \u2013 32 2nd, 1st and 3rd couples turn partners with right hands to finish on own sides and then, joining hands on the sides, set to partners.<\/p>\n\n\n\n<p>Repeat, having passed a couple.<\/p>\n\n\n\n<p>Devised by Roy Goldring and inscribed to John Drewry of Aberdeen.<\/p>\n\n\n\n<p>The Manual of Scottish Country Dancing:<br \/>Bars 1-16 In the four progressive half reels across the dance, the 1st woman cuts each reel through the middle giving her partner, successively, right, left, right and left shoulders.<\/p>\n\n\n\n<p>TAC Notes:\u2019<br \/>1-16 For the four consecutive half reels of three, 1st woman starts by facing her partner, giving him R, L, R, &amp; then L shouders. Note: support dancers all dance up into their half reels &amp; finish one place up on opposite sides.<br \/>29-30 This is a tight turn \u2013 do not \u201csteal\u201d on bar 28.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Video: <a href=\"https:\/\/youtu.be\/KbpnLgqnuzo\" target=\"_blank\" rel=\"noreferrer noopener\">Blue Bonnets<\/a><\/p>\n\n\n\n<p><strong>Blue Bonnets<\/strong><br \/>RSCDS Book 3<br \/>32-bar jig for two couples in a four-couple longwise set<\/p>\n\n\n\n<p>1 \u2013 4 1st woman and 2nd man advance and retire.<\/p>\n\n\n\n<p>5 \u2013 8 1st woman and 2nd man dance back to back, passing by the right to begin.<\/p>\n\n\n\n<p>9 \u2013 16 1st man and 2nd woman repeat bars 1-8.<\/p>\n\n\n\n<p>17 \u2013 24 1st couple lead down the middle and up to finish in the middle of the set, facing partner with both hands joined. 2nd couple step in.<\/p>\n\n\n\n<p>25 \u2013 32 1st and 2nd couples dance a poussette.<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>    Repeat, having passed a couple.<\/code><\/pre>\n\n\n\n<p>Allan\u2019s Reference Guide to the Ball-Room, Glasgow c.1900.<\/p>\n\n\n\n<p>Original tune: Blue Bonnets (Traditional)<br \/>17th century tune known as Lesley\u2019s March to Scotland. Published in Watt\u2019s Musical Miscellany 1731 and Oswald 1755. Sir Walter Scot wrote the song Blue Bonnets over the Border to this tune.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ardbrae Dancers of Ottawa Video: John of Bon Accord John of Bon AccordRSCDS Book XXXIII(Reel) 1 \u2013 16 Four progressive half-reels of three across the dance \u2013 danced as follows: 1 \u2013 4 1st couple with 2nd woman dance a half-reel of three. 1st woman passes her partner with the right shoulder to begin and &hellip; <a href=\"https:\/\/www.ottawadancescottish.org\/?p=930\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dances for November 25, 2024<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,20,50],"tags":[],"class_list":["post-930","post","type-post","status-publish","format-standard","hentry","category-8x32-jigs","category-8x32-reels","category-ardbrae-fall-2024"],"_links":{"self":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=930"}],"version-history":[{"count":1,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/930\/revisions"}],"predecessor-version":[{"id":931,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=\/wp\/v2\/posts\/930\/revisions\/931"}],"wp:attachment":[{"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ottawadancescottish.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}