Category Archives: 8×32 Jigs

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Dances for March 4, 2024

Video: THE DANCING BELLS

THE DANCING BELLS
Ann Campbell – Who’s Who in Toronto
A 32-bar Jig for three couples in a four-couple set

1 – 8 1st couple set, cast off one place, cross over giving right hands, and cast, 1st man round 3rd woman and 1st woman round 2nd man, to finish 1st woman between 2nd couple facing down and 1st man between 3rd couple facing up. 2nd couple step up on bars 3-4.

9 – 12 1st man with 3rd couple and 1st woman with 2nd couple advance and retire.

13 – 16 1st couple change places up and down giving right hands and cast to the right to finish in second place on opposite sides, while 2nd and 3rd men and 2nd and 3rd women turn giving right hands.

17 – 20 1st man with 2nd and 3rd women, and 1st woman with 2nd and 3rd men, advance and retire.

21 – 24 1st man dances a half figure of eight round second couple and 1st woman dances a half figure of eight round 3rd couple to finish in second place.

25 – 28 1st man dances right hands across with 3rd couple while 1st woman dances right hands across with 2nd couple. 1st couple pass by the right shoulder.

29 – 32 1st man dances left hands across with 2nd couple while 1st woman dances left hands across with 3rd couple. 1st couple finish in second place.

Repeat from new places.

Devised in October, 2004.
Written to mark significant birthdays of Carole and Ron Bell.

Suggested Music: “The Dancing Bells”
Bobby Brown & The Scottish Accent
Celtic Fire in the Music (Disc 2, Track 2) ;


Video: Bedrule

Bedrule
RSCDS Book XXXIII
(Strathspey)

1–8 1st and 2nd women, and at the same time 1st and 2nd men, turn once round with both hands,opening out on the side lines and continuing into four hands round to the left and then 1st and 2nd couples turn partners once round to finish in the middle of the set, ready for promenade. On bar 8, 3rd couple dance in and take promenade hold.

9–16 1st, 2nd and 3rd couples promenade. On bars 15 – 16, 1st couple cast off to second place, while 2nd couple dance up to first place and 3rd couple return to original place.

17–20 1st and 3rd couples dance right hands across, finishing on the sidelines.

21–24 1st and 2nd couples dance left hands across, 1st couple finishing in second place facing down.

25–32 2nd, 1st and 3rd couples dance reels of three on the sides. 1st couple begin the reels by giving right shoulder to 3rd couple, and at the end they face down ready to repeat the dance.

Repeat, having passed a couple.

Devised by Betty Grant, Toronto, Ontario, 1984, in memory of her great, great grandmother Elizabeth Turnbull Dickson who left her home, Bedrule, near Jedburgh, in 1834 to emigrate to Canada.

The Manual of Scottish Country Dancing:
Bar 20 1st woman dances into second place on her own side pulling her right shoulder back, to prepare for left
hands across.
Bar 24 1st woman dances straight out to second place on her own side, to give right shoulder to 3rd woman as she
enters the reels of three.

TACNotes:’
1-8 1st & 2nd cpls stay in the middle at end of bar 6, & flow into the 2H turns.
17-20 On bar 20, 1st woman turns R about into sidelines & faces up ready for LH across.
21-24 On bar 24, 1st woman dances into 2nd place, facing down, to enter reel with 3rd woman.
25-32 1st cpl finish facing down, 3rd cpl facing up, ready for bar 1 of repetition.

Dances for February 26, 2024

Video: SANDS OF MORAR

SANDS OF MORAR
RSCDS Book 45. No. 6
(Strathspey)

1 – 8 1st couple dance a figure of eight round 2nd couple, giving right hands when crossing down from own side and left hands when crossing back.

9 – 16 1st, 2nd and 3rd couples dance reels of three on own sides, joining nearer hands with partner when possible. To begin 1st couple dance in and down, 2nd couple dance out and up and 3rd couple dance in and up. 2nd couple finish facing out.

17 – 20 1st couple turn with both hands once round and, retaining nearer hands, dance down to third place. 2nd couple dance out and up to first place and, joining nearer hands, dance down to second place to finish in the middle behind 1st couple. 3rd couple dance in to give nearer hands (3rd man right hand, 3rd woman left hand) and dance up and out to first place to finish in the middle behind 2nd couple. All three couples are in the middle of the set facing down.

21 – 22 All three couples set.

23 – 24 1st couple cast up to first place, while 2nd couple, following them, cast up to second place and 3rd couple dance down to third place.

25 – 32 1st and 2nd couples dance the tourbillon as follows:

25-26 1st and 2nd couples turn with both hands halfway round. After one bar, 1st man releases his left hand to dance into 2nd woman’s place while 1st woman dances into her original place. 2nd woman similarly releases her left hand to dance into 1st man’s place while 2nd man dances into his original place.

27-28 1st couple set to 2nd couple.

29-30 1st and 2nd couples turn with both hands halfway round. After one bar, 1st woman releases her left hand to dance into 2nd man’s place while 1st man dances into 2nd woman’s place. 2nd man similarly releases his left hand to dance into 1st woman’s place while 2nd woman dances into 1st man’s place.

31-32 2nd and 1st couples, giving right hands, cross over.

Repeat, having passed a couple.

Devised by Barry Priddey, RSCDS Sutton Coldfield Branch and originally published by Glasgow Branch in The Diamond Jubilee Book (1983).

Tune: Pinky House, Traditional

The Manual of Scottish Country Dancing:
Bars 23-24 1st and 2nd couples must cast quickly so that 3rd couple can dance into place by the end of bar 24.

TACNotes:
23-24 1st cpl, followed by 2nd cpl, must cast quickly to allow 3rd cpl to dance down & short way into places.
27-28 Retain nearer hands with partner at end of bar 28 ready for 2H turn on bar 29.
29-30 At beginning of bar 30, 1st woman & 2nd man draw partners along sidelines with RH, then release to cross set.


Video: ROARING JELLY

ROARING JELLY
Dance devised by Hugh Foss. (Published in Glendarroch Sheet No. 6)
(Jig)

1 – 4 1st couple cross over, giving right hands, and cast off one place (2nd couple move up on 3–4).

5 – 8 Giving right hands again, they cross back and the man casts up one place to go between 2nd couple and the woman casts off one place to go between 3rd couple.

9 – 16 The three couples dance six hands round to the left and back. They take hands in threes at the end of bar 8 and don’t let go until the end of bar 16. 2nd and 3rd men – and women – let go of each other at bar 15.

17 – 24 1st couple go up and down the dance, giving right hands, and 1st man dances a figure of eight round 3rd couple, passing 3rd man right shoulder to begin, while 1st woman, passing 2nd woman right shoulder, dances a figure of eight round 2nd couple. 1st couple end in 2nd place, ‘wrong’ sides.

25 – 30 Reels of three at the sides: to begin, 1st man passes 2nd woman right shoulder and 1st woman 3rd man right shoulder.

31 – 32 1st couple, giving right hands, cross back to own sides, 2nd place.

Repeat, having passed a couple.

Tune: Roaring Jelly, as given in Kerr’s Caledonian Collection, p. 18, but with each 8 bars repeated, and Allan’s Reels, etc. p. 25.

Dances for February 5, 2024

Video: J. B. Milne

J. B. Milne
A 32-bar reel for three couples in a four-couple longwise set

1 – 4 1st man and 2nd woman set advancing and, giving right hands, turn once round.

5 – 8 2nd man and 1st woman set advancing and, giving right hands, turn once round.

9 – 12 1st couple set advancing and, giving both hands, turn once round to finish facing the top.

13 – 16 1st couple cast off one place and dance a petronella turn to finish 1st woman between 2nd couple, all facing down, and 1st man between 3rd couple, all facing up. 2nd couple step up on bars 13 – 14.

17 – 20 1st couple set to each other and, giving right hands, turn three-quarters to finish in second place on opposite sides. At the same time, 2nd and 3rd women and 2nd and 3rd men, giving right hands, change places and set to partner.

21 – 24 1st couple set to each other and, giving right hands, turn three-quarters to finish 1st woman between the couple in third place and 1st man between the couple in top place. At the same time, 3rd and 2nd couples, giving right hands, cross over and set facing on the sides.

25 – 28 1st couple set to each other and, giving right hands, change places. At the same time, 3rd and 2nd women and 3rd and 2nd men, giving right hands, change places and set to partner.

29 – 30 1st woman casts off to second place and 1st man casts up to second place. At the same time, 2nd and 3rd couples, giving right hands, cross over.

31 – 32 2nd, 1st and 3rd couples, taking hands on the side, set.

Repeat having passed a couple.

Devised by Hugh Foss.
Original tune: J. B. Milne by Angus Fitchet.
Source: Angus Fitchet Scottish Dance Album.


Video: The Waternish Tangle

The Waternish Tangle
8 x 32 Jig

1 – 4 1st couple giving right hands cross down to 2nd place and set. 2nd couple move up on bars 1 and 2.
5 – 8 1st couple giving left hands cross down to 3rd place and set. 3rd couple move up on bars 5 and 6.

9 – 12 1st couple cross giving right hands then change places on the sides with the 3rd couple giving left
hands.
13 – 16 2nd and 1st couples cross with the right hands then giving left hands on the sides turn 3/4 to finish in a line across the dance with the women in the middle, right hands joined.

17 – 24 The Targe danced as follows:
17 – 18 1st and 2nd women, in the middle, dance a 3/4 turn while 1st and 2nd men dance anticlockwise round them for a 1/4 of a circle.
19 – 20 1st man and 2nd woman, and at the same time 1st woman and 2nd man, turn once around giving left hands.
21 – 22 1st and 2nd women dance a 3/4 turn giving right hands while 1st and 2nd men dance anticlockwise round them for a 1/4 of a circle.
23 – 24 1st man and 2nd woman, and at the same time 1st woman and 2nd man, turn giving left hands so that 2nd couple finish in top place and 1st couple finish facing down the dance on opposite sides.

25 – 32 1st couple dance down crossing below 3rd couple, cast up round them, dance up between 2nd couple and cast down to 2nd place on own sides.

Repeat from 2nd place.

Devised by Andrea Barfoot, Isle of Skye Branch.

Dances for January 22, 2024

Video: The Ferry Louper

The Ferry Louper
24 GRADED and SOCIAL DANCES, Devised by Roy Goldring, Leeds Branch R.S.C.D.S.
32 bar jig for 3 couples

1 – 8 First, second and third couples dance clockwise (chase) round to places.

9 – 16 First and second couples dance right hands across and back with left hands. First couple finish facing out.

17 – 24 First couple cast off two places, dance up the middle and cast off one place. Second couple step up on bars 23 – 24.

25 – 28 Second, first and third couples advance and retire.

29 – 32 Second, first and third couples turn partners with right hands once round.

Repeat having passed a couple.

Recommended tune:- Castle Hill (M.A.J.)

NOTE: The term ‘Ferry Louper’ is an Orkney expression which refers to someone who lives of the Orkney Islands but who was not born there – i.e. someone who just jumped (or ‘louped’) onto the ferry and came over.


Video: Up in the Air

Up in the Air
RSCDS Book 20 – No. 2
32-bar strathspey for three couples in a four-couple longwise set

1 – 8 1st couple cast off, dance down behind own lines and cast up to original places. On bar 8, 1st , 2nd and 3rd couples dance in to meet partners and face up.

9 – 16 1st, 2nd and 3rd couples dance a promenade. On bars 15-16, 1st couple cast off one place to finish facing first corners while 2nd couple dance up to first place.

17 – 20 1st couple set to first corners and then to second corners, finishing between them.

21 – 24 2nd, 1st and 3rd couples dance six hands once round to the left.

25 – 28 2nd, 1st and 3rd couples advance and retire.

29 – 32 2nd, 1st and 3rd couples, giving both hands, turn partners to own sides, 1st couple turning one and a half times.

Repeat, having passed a couple.

W Boag: A Collection of Favourite Reels & Strathspeys by the Most Eminent Composers, 1797.

Original tune: Sir George Clark of Pennycuik (Nathaniel Gow)

The Manual of Scottish Country Dancing:
Bar 20 1st couple, pulling back right shoulder, turn between corners ready to begin the circle.

TACNotes:’
8 All 3 cpls dance into position for promenade (2nd & 3rd cpls, L foot).
20 1st cpl use last setting step to turn R about into sidelines.


Video: The Pawling Porch

The Pawling Porch
Moments in Time, 21 Scottish Country Dances devised by Elaine Brunken
32 Bar Reel for 3 couples

1 – 4 1st couple Set and cast off one place. (2nd couple step up on bars 3-4)
5 – 8 1st couple Dance down between 3rd couple and cast up to second place.

9 – 12 1st couple and 1st corners Advance and Retire.
13 – 16 1st couple and 1st corners Turn with the Right Hand.

17 – 20 1st couple and 2nd corners Advance and Retire.
21 – 24 1st couple and 2nd corners Turnwith the Right Hand. (1st couple pass Right shoulder to own side.)

25 – 32 2nd, 1st , and 3rd couple dance Circle Round and Back.

Repeat having passed a couple

Devised May 2005, at the Pawling Weekend in Sylvan Lake, New York.

Muriel (Johnstone) and I had a small porch off our cabin, which seemed to become the place everyone stopped for a drink after classes, before lunch, after lunch, before dinner…….. (now there’s a surprise!)

Pawling Weekend (run by the New York Branch) and situated 45 miles north of ‘the City’ is a brilliant weekend. The New York Branch is one of the friendliest, most welcoming groups that I have met in my many travels.

Suggested Tune: The Merrymaking (Traditional)

Dances for January 15, 2024

Video: Huntly Castle

Huntly Castle
John Drewery, The Canadian Book of Scottish Country Dances

Huntly Castle, now a ruin, was formerly
the seat of the Earls, lator the Marquises
of Huntly – the chiefs of Clan Gordon.

Strathspey – 3 couples – 32 bars,

Tune – “My Only Jo and Dearie O’ Gow’s Repository , 3rd Part, Pace 12, This is the tune to which Bum!s song “I goed a waeful gait yestreen” is usually set,

1 – 6 1st and 2nd couples set on the sides, then circle to the left once round to finish with 1st couple in top place,with nearer hands still joined, facing down. and 2nd couple in second place facing up.

7 – 8 1st and 2nd couples set,

9 – 16 1st and 2nd couples dance a Rondel to change places, 1st couple finish in second place facing out.

17 – 24 Reels of three on the sides.

To begin: – 1st couple dance out and down;
3rd couple, joining nearer hands, dance in and up;
2nd couple, joining nearer hands, dance in and down. |

All join inside hands with partners where possible in the reels.

At the end: – 2nd couple dance in to join nearer hands facing down;
1st couple dance to second place on own sides;
3rd couple dance in to join nearer hands facing up.

25 – 26 2nd, 1st and 3rd couples set,

27 – 30 Six hands round to the left. On Bar 30, all dance into the centre, pulling right shoulders back to face out.

31 – 32 All spiral out clockwise (in a chase) to own sides,

Repeat, having passed a couple,


Video: Beach Dancer

Beach Dancer
A 32 bar Jig for 3 couples in a 4 couple longwise set
For Margaret Blackhall, a teacher at Kamo Club who lives on the coast at Ngunguru.
Devised by Eddy West 2003.
1-4 First couple set and cross giving right hand.
5-8 First couple set to second couple and change places on the side giving left hands (men remain facing out).
 
9-16 Second and first couples dance a ladies chain, first man finishes facing out. First couple must continue into the next figure without hesitation.
 
17-20 First man casts down round third lady and crosses to third place, own side then casts up behind third man to second place, first lady follows to own side third place then dances up the middle to second place on own side.
21-24 First and second ladies, and at the same time first and second men, turn giving left hands.
 
25-32 Second, first and third couples dance reels of three on the sides, first couple passing third couple right shoulder to start.

Repeat having passed a couple
Suggested recorded music “Over the Pond II” – Sound Company CD “On Track”.

Dances for November 13, 2023

Video: The Waternish Tangle

The Waternish Tangle
8 x 32 Jig

1 – 4 1st couple giving right hands cross down to 2nd place and set. 2nd couple move up on bars | and 2.

5 – 8 1st couple giving left hands cross down to 3rd place and set. 3rd couple move up on bars 5 and 6.

9 – 12 1st couple cross giving right hands then change places on the sides with the 3rd couple giving left hands.

13 – 16 2nd and 1st couples cross with the right hands then giving left hands on the sides turn 3/4 to finish in a line across the dance with the women in the middle, right hands joined.

17 – 24 The Targe danced as follows:

17 – 18 1st and 2nd women, in the middle, dance a 3/4 turn while 1st and 2nd men dance anticlockwise round them for a 1/4 of a circle.
19 – 20 1st man and 2nd woman, and at the same time 1st woman and 2nd man, turn once around giving left hands.
21 – 22 1st and 2nd women dance a 3/4 turn giving right hands while|st and 2nd men dance anticlockwise round them for a 1/4 of a circle.
23 – 24 1st man and 2nd woman, and at the same time 1st woman and 2nd man, turn giving left hands so that 2nd couple finish in top place and 1st couple finish facing down the dance on opposite sides.

25 – 32 1st couple dance down crossing below 3rd couple, cast up round them, dance up between 2nd couple and cast down to 2nd place on own sides.

Repeat from 2nd place.

Devised by Andrea Barfoot, Isle of Skye Branch.


Video: The Minister on the Loch

The Minister on the Loch
RSCDS Four Dances 2008
32-bar strathspey for three couples in a three-couple longwise set

1 – 8 1st and 2nd couples dance a poussette right round.

9 – 16 1st couple dance down the middle for two steps and, giving both hands, turn once round to finish in the middle facing up. 1st couple dance up the middle for two steps and, giving both hands, turn once round to finish in the middle facing up.

17 – 24 1st and 3rd couples dance a double figure of eight. To begin, 1st couple cast off and 3rd couple cross up. 1st couple finish in original places, facing out.

25 – 28 1st and 2nd women, giving right hands, and 1st and 2nd men, giving left hands, turn one and a half times to change places.

29 – 32 1st and 3rd women, giving left hands, and 1st and 3rd men, giving right hands, turn one and a half times to change places.

Repeat from new positions.

Devised by Roy Goldring for Robert MacKay

Original tune:
Muriel Johnstone’s compliments to Robert MacKay (Muriel A Johnstone)
Originally published in 24 Graded and Social Dances devised by Roy Goldring

The dance takes its name from the painting:
Reverend Robert Walker (1755-1808) Skating on Duddingston Loch by Sir Henry Raeburn

Dances for October 23, 2023

Video: The Shetland Shepherdess

The Shetland Shepherdess
The San Andreas Collection by Ron Wallace
32 bar Jig for 3 couples in a 4 couple set

1 – 4 1st couple dance down between 2nd couple and cast up to original place

5 – 8 1st couple half figure of 8 down around 2nd couple

9 – 16 2nd, 1st and 3rd couple cross-over mirror reels of three on the sides, 1st couple cross to 2nd place on own side to begin, 2nd couple out and up and 3rd couple in and up; 2nd couple ends facing out

17 – 18 1st and 2nd women half turn by the LEFT hand while 1st and 2nd men half turn by the RIGHT hand
19 – 20 1st and 3rd women turn by the RIGHT hand while 1st and 3rd men turn by the LEFT hand, 1st couple ends in the middle facing up, and 3rd couple ends back in 3rd place (for 1st couple the turn is ¾ but for the 3rd couple the turn is once round)
21 – 24 1st couple dance up the middle to the top of the set and cast to 2nd place own side

25 – 32 2nd, 1st and 3rd couples advance and retire, all clap (last beat of Bar 28), and all turn partner by the RIGHT hand once round.

Music: “The Shetland Shepherdess” by Ron Wallace

This title was inspired by a trip to Oslo, Norway, to teach SCD where I met Caroline Nicol, a Shetland shepherdess shepherding in Norway! The dance and music are dedicated to Susan Hagen, my hostess, and all the fine folk in the Oslo SCD Group.


Video: Huntly Castle

Huntly Castle
John Drewery, The Canadian Book of Scottish Country Dances
Strathspey – 3 couples – 32 bars,

Huntly Castle, now a ruin, was formerly the seat of the Earls, lator the Marquises of Huntly – the chiefs of Clan Gordon.

Tune – “My Only Jo and Dearie O’ Gow’s Repository , 3rd Part, Pace 12, This is the tune to which Bum!s song “I goed a waeful gait yestreen” is usually set,

1 – 6 1st and 2nd couples set on the sides, then circle to the left once round to finish with 1st couple in top place,with nearer hands still joined, facing down. and 2nd couple in second place facing up.

7 – 8 1st and 2nd couples set,

9 – 16 1st and 2nd couples dance a Rondel to change places, 1st couple finish in second place facing out.

17 – 24 Reels of three on the sides. To begin: – 1st couple dance out and down; 3rd couple, joining nearer hands, dance in and up; 2nd couple, joining nearer hands, dance in and down. All join inside hands with partners where possible in the reels. At the end: – 2nd couple dance in to join nearer hands facing down; 1st couple dance to second place on own sides; 3rd couple dance in to join nearer hands facing up.

25 – 26 2nd, 1st and 3rd couples set,

27 – 30 Six hands round to the left. On Bar 30, all dance into the centre, pulling right shoulders back to face out.

31 – 32 All spiral out clockwise (in a chase) to own sides,

Repeat, having passed a couple,


Video: Ferla Mor

FERLA MOR or THE BIG GREY MAN
THE DEESIDE BOOK OF SCOTTISH COUNTRY DANCES, Part 1, by JOHN DREWRY

The Ferla Mor (a corruption of the Gaelic “Am Fear Liath Mor”) or the Big Grey Man, is reputed to haunt the upper part of Ben Macdhui. Travellers usually encounter him when alone and in misty conditions – they become aware of his presence by a feeling that someone is following them.

In this dance, the first man becomes the Ferla Mor as he follows his partner during the reels — Bars 9 – 24.

Reel : 3 couples : 32 bars

Tune : “Lochiel House” by Angus Fitchet, The Angus Fitchet S.D. Collection page 2 (Mozart Allan)

1 – 8 1st couple set to one another , then turn by the right hand half-way round moving down to face one another across the centre of the dance in second place; they set again then turn by the right hand once round to finish with 1st lady facing her first corner, and with 1st man immediately behind her facing in the same direction. (2nd couple step up on Bars 3 – 4)

9 – 16 1st couple dance a reel of three diagonally across the dance with their first corners. They begin by passing 2nd man by the right, and 1st man follows his partner as closely as convenient. 1st lady, with her partner still behind her, finishes the reel facing her second corner.

17 – 24 1st couple, with 1st man still following his partner, dance a reel of three with their second corners, passing 3rd man by the right. On the last two steps, as she dances down the centre of the dance, 1st lady pulls her left shoulder back to face her partner and they turn by the left hand to face own first corners.

25 – 28 1st couple turn first corners by the right hand, then pass by the right to face second corners. (The corners dance four steps)

29 – 32 1st couple turn second corners by the right hand, then pass by the right to second place on own sides.

Repeat, having passed a couple.

Video: Postie’s Jig

Postie’s Jig
A 32-bar jig for four couples ina four-couple longwise set

1 – 2 1st and 4th couples set.

3 – 4 1st couple cast off one place while 4th couple cast up one place. 2nd couple step up to top place while 3rd couple step down to fourth place.

5 – 8 1st couple dance a half figure of eight round 2nd couple while 4th couple dance a half figure eight round 3rd couple.

9 – 12 1st man with 4th man and 1st woman with 4th woman, take nearer hands and cross to the opposite side of the set, the men making an arch for the women to dance under. Give free hand to corner person and turn (i.e. 1st man to 2nd man and 1st woman to 2nd woman etc). Corners finish in places, while 1st couple meet and join nearer hands to face down and 4th couple meet and join nearer hands to face up.

13 – 16 1st couple and 4th couple, with nearer hands joined, change places up and down, the 4th couple making an arch for the 1st couple to dance under. Give free hand to corner person and turn (i.e. 1st man to 3rd man and 1st woman to 3rd woman etc.). Corners finish in places, while 1st and 4th men meet and join nearer hands on own side and 1st and 4th women meet and join hands on own side.

17 – 24 Repeat the pattern of crossing and turning as in bars 9 – 12 and 13 – 16. When changing places across the set the men always make the arch and when changing up and down the set the couple dancing up always make the arch. Finish in the order 2, 1, 4, 3 with the 1st and 4th couples on the opposite side.

25 – 28 1st and 4th couples dance half rights and lefts.

29 – 32 1st and 4th couples turn by the right hand once round to finish in the order 2,4, 1, 3.

Repeat from new positions.

Devised by Roy Clowes.

Original tune: Lassie Come and Dance with Me by Neil Grant.

Source: Ormskirk Scottish Dances Book 5.

Dances for October 16, 2023

Video: Bedrule

Bedrule
RSCDS Book XXXIII – No. 7
(Strathspey)

1–8 1st and 2nd women, and at the same time 1st and 2nd men, turn once round with both hands,opening out on the side lines and continuing into four hands round to the left and then 1st and 2nd couples turn partners once round to finish in the middle of the set, ready for promenade. On bar 8, 3rd couple dance in and take promenade hold.

9–16 1st, 2nd and 3rd couples promenade. On bars 15 – 16, 1st couple cast off to second place, while 2nd couple dance up to first place and 3rd couple return to original place.

17–20 1st and 3rd couples dance right hands across, finishing on the sidelines.

21–24 1st and 2nd couples dance left hands across, 1st couple finishing in second place facing down.

25–32 2nd, 1st and 3rd couples dance reels of three on the sides. 1st couple begin the reels by giving right shoulder to 3rd couple, and at the end they face down ready to repeat the dance.

Repeat, having passed a couple.

Devised by Betty Grant, Toronto, Ontario, 1984, in memory of her great, great grandmother Elizabeth Turnbull Dickson who left her home, Bedrule, near Jedburgh, in 1834 to emigrate to Canada.

The Manual of Scottish Country Dancing:
Bar 20 1st woman dances into second place on her own side pulling her right shoulder back, to prepare for left hands across.
Bar 24 1st woman dances straight out to second place on her own side, to give right shoulder to 3rd woman as she enters the reels of three.

TACNotes:’
1-8 1st & 2nd cpls stay in the middle at end of bar 6, & flow into the 2H turns.
17-20 On bar 20, 1st woman turns R about into sidelines & faces up ready for LH across.
21-24 On bar 24, 1st woman dances into 2nd place, facing down, to enter reel with 3rd woman.
25-32 1st cpl finish facing down, 3rd cpl facing up, ready for bar 1 of repetition.


Video: Beach Dancer

Beach Dancer
A 32 bar Jig for 3 couples in a 4 couple longwise set
For Margaret Blackhall, a teacher at Kamo Club who lives on the coast at Ngunguru.
Devised by Eddy West 2003.

1-4 First couple set and cross giving right hand.
5-8 First couple set to second couple and change places on the side giving left hands
(men remain facing out).
 
9-16 Second and first couples dance a ladies chain, first man finishes facing out.
First couple must continue into the next figure without hesitation.
 
17-20 First man casts down round third lady and crosses to third place, own side then casts up behind third man to second place, first lady follows to own side third place then dances up the middle to second place on own side.

21-24 First and second ladies, and at the same time first and second men, turn giving left hands.
 
25-32 Second, first and third couples dance reels of three on the sides, first couple passing third couple right shoulder to start.

Repeat having passed a couple

Suggested recorded music “Over the Pond II” – Sound Company CD “On Track”.


Video: The Reel of the 51st Division

The Reel of the 51st Division
RSCDS Book 13 – No. 10
32-bar reel for three couples in a four-couple longwise set

1 – 8 1st couple set to each other and cast off two places, meet below 3rd couple and lead up the middle to face first corners. 2nd couple step up on bars 3-4.

9 – 12 1st couple set to and turn first corners with the right hand, finishing in a diagonal line by joining left hands with partner.

13 – 14 1st couple and first corners balance in line.

15 – 16 1st couple, releasing right hands with corners, turn each other one and a quarter times to face second corners.

17 – 22 1st couple repeat bars 9-14 with second corners.

23 – 24 1st couple cross to second place on own sides.

25 – 32 2nd, 1st and 3rd couples dance six hands round and back.

Repeat, having passed a couple.

Devised by Jimmy Atkinson, Argyll and Sutherland Highlanders, and Peter Oliver, Seaforth Highlanders (London Scottish), with advice from Tom Harris-Hunter, Royal Army Service Corps while all were interned in the Prisoner of War camp at Laufen in Germany.

Original tune: The Drunken Piper or Highland Rory
Alex. McLeod, c. 1880

The original instructions in the form of notes, written by Tom Harris-Hunter on a scruffy piece of paper when he was a prisoner of war, clearly show that the dance was intended for a five couple set as it is still danced in Perthshire.

TACNotes:’
1-8 Set (no stealing) bars 1-2, cast bars 3-5, dance in to meet on bar 6, lead up on bar 7 to face corners on bar 8.

Dances for September 25, 2023

Video: Huntly Castle

Huntly Castle
Strathspey – 3 couples – 32 bars,
John Drewery, The Canadian Book of Scottish Country Dances

Huntly Castle, now a ruin, was formerly the seat of the Earls, lator the Marquises of Huntly – the chiefs of Clan Gordon.

Tune – “My Only Jo and Dearie O’ Gow’s Repository , 3rd Part, Pace 12, This is the tune to which Bum!s song “I goed a waeful gait yestreen” is usually set,

Bars

1 – 6 1st and 2nd couples set on the sides, then circle to the left once round to finish with 1st couple in top place,with nearer hands still joined, facing down. and 2nd couple in second place facing up.

7 – 8 1st and 2nd couples set,

9 – 16 1st and 2nd couples dance a Rondel to change places, 1st couple finish in second place facing out.

17 – 24 Reels of three on the sides.

To begin: – 1st couple dance out and down;
3rd couple, joining nearer hands, dance in and up;
2nd couple, joining nearer hands, dance in and down. |

All join inside hands with partners where possible in the reels.

At the end: – 2nd couple dance in to join nearer hands facing down;
1st couple dance to second place on own sides;
3rd couple dance in to join nearer hands facing up.

25 – 26 2nd, 1st and 3rd couples set,

27 – 30 Six hands round to the left. On Bar 30, all dance into the centre, pulling right shoulders back to face out.

31 – 32 All spiral out clockwise (in a chase) to own sides,

Repeat, having passed a couple,


Video: The Wild Geese

The Wild Geese
Book 24 – No. 3
32-bar jig for three couples in a four-couple longwise set

1 – 4 1st and 3rd couples set advancing to join nearer hands in a line up and down the set, men with partners on their right. 1st and 3rd couples set. (Fig.)

5 – 8 1st couple, retaining right hands, turn three quarters and cast off to third place on own sides and, at the same time, 3rd couple turn with the right hand and lead up to first place.

9 – 16 3rd and 1st couples repeat bars 1-8 but in bars 15-16, 3rd couple cast off and 1st couple lead up to places.

17 – 24 1st couple lead down the middle and up to second place on own sides. 2nd couple step up on bars 19-20.

25 – 32 2nd and 1st couples dance rights and lefts.

Repeat, having passed a couple.

Collected by Miss Jenny MacLachlan.
Original tune: Mrs MacPherson of Cluny (Joseph Lowe)


Video: Ferla Mor

FERLA MOR
or THE BIG GREY MAN
THE DEESIDE BOOK OF SCOTTISH COUNTRY DANCES, Part 1, by JOHN DREWRY

The Ferla Mor (a corruption of the Gaelic “Am Fear Liath Mor”) or the Big Grey Man, is reputed to haunt the upper part of Ben Macdhui. Travellers usually encounter him when alone and in misty conditions – they become aware of his presence by a feeling that someone is following them.

In this dance, the first man becomes the Ferla Mor as he follows his partner during the reels — Bars 9 – 24.

Reel : 3 couples : 32 bars

Tune : “Lochiel House” by Angus Fitchet The Angus Fitchet S.D. Collection page 2 (Mozart Allan)

1 – 8 1st couple set to one another , then turn by the right hand half-way round moving down to face one another across the centre of the dance in second place; they set again then turn by the right hand once round to finish with 1st lady facing her first corner, and with 1st man immediately behind her facing in the same direction. (2nd couple step up on Bars 3 – 4)

9 – 16 1st couple dance a reel of three diagonally across the dance with their first corners. They begin by passing 2nd man by the right, and 1st man follows his partner as closely as convenient.

1st lady, with her partner still behind her, finishes the reel facing her second corner.

17 – 24 1st couple, with 1st man still following his partner, dance a reel of three with their second corners, passing 3rd man by the right.

On the last two steps, as she dances down the centre of the dance, 1st lady pulls her left shoulder back to face her partner and they turn by the left hand to face own first corners.

25 – 28 1st couple turn first corners by the right hand, then pass by the right to face second corners. (The corners dance four steps)

29 – 32 1st couple turn second corners by the right hand, then pass by the right to second place on own sides.

Repeat, having passed a couple.

Dances for September 18, 2023

Video: The Shetland Shepherdess

The Shetland Shepherdess
The San Andreas Collection by Ron Wallace
32 bar Jig for 3 couples in a 4 couple set

1 – 4 1st couple dance down between 2nd couple and cast up to original place

5 – 8 1st couple half figure of 8 down around 2nd couple

9 – 16 2nd, 1st and 3rd couple cross-over mirror reels of three on the sides, 1st couple cross to 2nd place on own side to begin, 2nd couple out and up and 3rd couple in and up; 2nd couple ends facing out

17 – 18 1st and 2nd women half turn by the LEFT hand while 1st and 2nd men half turn by the RIGHT hand
19 – 20 1st and 3rd women turn by the RIGHT hand while 1st and 3rd men turn by the LEFT hand, 1st couple ends in the middle facing up, and 3rd couple ends back in 3rd place (for 1st couple the turn is ¾ but for the 3rd couple the turn is once round)
21 – 24 1st couple dance up the middle to the top of the set and cast to 2nd place own side

25 – 32 2nd, 1st and 3rd couples advance and retire, all clap (last beat of Bar 28), and all turn partner by the RIGHT hand once round.

Music: “The Shetland Shepherdess” by Ron Wallace

This title was inspired by a trip to Oslo, Norway, to teach SCD where I met Caroline Nicol, a Shetland shepherdess shepherding in Norway! The dance and music are dedicated to Susan Hagen, my hostess, and all the fine folk in the Oslo SCD Group.


Video: Fair Donald

Fair Donald
RSCDS Book 29 – No. 4
32-bar strathspey for three couples in a four-couple longwise set

1 – 4 1st couple dance down between 2nd couple and cast up to meet in the middle of first place, facing down.

5 – 8 1st couple dance down between 3rd couple and cast up to face 1st corners. 2nd couple step up on bars 7-8.

9 – 16 1st couple dance a reel of four with first corners. 1st couple pass each other by the left to face second corners.

17 – 24 1st couple dance a reel of four with second corners. 1st couple finish between 2nd couple facing up.

25 – 26 1st couple cast off one place on own sides.

27 – 32 2nd, 1st and 3rd couples set and, giving both hands, turn once round.

Repeat, having passed a couple.

Original tune: Lady Dick Lauder’s Strathspey (James Taylor, A Collection of Strathspeys and Reels, Volume 2, 1845).


Video: The Montgomeries’ Rant

The Montgomeries’ Rant
RSCDS Book 10 – No. 1
32-bar reel for three couples in a four-couple longwise set

1 – 8 1st couple, giving right hands, cross over and cast off one place on opposite sides. 1st couple, giving left hands, cross over and 1st woman casts up one place while 1st man casts off one place. 1st woman finishes between 2nd couple facing 2nd man with 1st man between 3rd couple facing 3rd woman. 2nd couple step up on bars 3-4.

9 – 16 1st woman with 2nd couple and 1st man with 3rd couple dance reels of three across the set. 1st woman and 2nd man and 1st man and 3rd woman pass by the right to begin. On bar 16, 1st couple, with nearer hands joined, face 2nd woman.

17 – 24 1st couple set to 2nd woman. 1st couple turn towards each other and change hands to face 3rd man and set. 1st couple move round to face 3rd woman and set. 1st couple turn towards each other and change hands to face 2nd man and set. 1st couple finish facing second corners.

25 – 30 2nd, 1st and 3rd couples dance reels of three on the sides. 1st couple pass second corners by the right to begin.

31 – 32 1st couple, giving right hands, cross to second place on own sides.

Repeat, having passed a couple.

The Register of Dances at Castle Menzies, 1749.

Original tune: Lord Eglintoune (John Riddell, c. 1766) but usually danced to Lady Montgomerie (Lord Eglintoune, 1796).

TACNotes:’
17-24 1st woman is on her partner’s left to begin &, on bar 24, turns L about, with assistance from her partner,
to face her second corner.