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The Jam on Jerry’s Rock
A 32 bar jig for 3 couples in a 4 couple set

Craig Williams
August 2023

1 – 8 1st couple cross down to dance a reel of 3 on the opposite sides with 2nd & 3rd couples. 1s finish in partners place

9 – 12 1st couple cross giving right hands & cast off one place.

13 – 16 1st couple set advancing and 1/2 turn 2 hands, cast to opposite side using with pas de basque. Finish facing out.

17 – 18 1st couple turn 3rd couple 3/4, 1st man & 3rd woman with the right hand, 1st woman & 3rd man with the left hand. 3rd couple return to place. 1st couple finish with nearer hand joined between 3rd couple

19 – 20 1st couple, with nearer hands joined, dance up the middle.

21 – 22 1st couple turn 2nd couple 3/4, 1st man & 2rd woman with the right hand, 1st woman & 2nd man with the left hand. 2nd couple return to top place

23 – 24 1st couple dance through 2nd place and pass right shoulder to own side.

25 – 32 All 3 couples circle 6 hands round & back

I discovered the folk song, “The Jam on Jerry’s Rock”, while reading about the history of the Ottawa area. Like many other areas in North America, logging was a key industry. The song tells the tragic tale of a six of young men and foreman young Monroe, sent to break a log jam on a river.

Video: The Pirate

The Pirate
RSCDS Sir Walter Scott, The Heart of Midlothian
The Dance – 1822 and 2021
24-bar reel for two couples in a four-couple longwise set

1822 Instructions

The 2d Gentm and 1st Lady turn to right and set at top and bottom, turn to right
again into each other’s places (in the dance) set
the 1st Gentm and 2d Lady do the same
Poussette at top

2021 Reconstruction

1 – 4 1st woman and 2nd man, using travelling step and pulling right shoulders back, dance into the middle to face each other and set. 1st woman facing down and 2nd man facing up.

5 – 8 1st woman and 2nd man using travelling step, pass by the left, and pulling right shoulders back, dance to each other’s original places and set.

9 – 12 1st man and 2nd woman, using travelling step, pass by the left, and pulling right shoulders back dance into the middle and set. 2nd woman facing down and 1st man facing up.

13 – 16 2nd woman and 1st man using travelling step and pulling right shoulder back, dance to each other’s original places and set. At the end of bar 16, 1st couple are in 2nd place opposite side. The 2nd couple are in 1st place opposite side.

17 – 24 2nd and 1st couples dance a waltz poussette to finish back on own sides.

Note: In the 1822 leaflet this is a 24-bar dance for 2 couple. As 24-bar 2-couple dances are not that common today, an additional optional 8 bars have been added below should you wish to dance this as a 32-bar dance for three couples.

25 – 32 2nd, 1st and 3rd couples dance a grand chain. Repeat having passed a couple.

Repeat, having passed a couple.

Note:

1. The movements in bars 1 — 16 are similar to a petronella turn. Travelling step is recommended,
2. As it is clear that the progression takes place during bars 1 – 16, the poussette must be a full poussette, but starting from the opposite sides. See page 61.

The Waltz Poussette

Starting from sidelines and using waltz turns throughout the dancers should follow the general pattern below:

Bar 1 Dance in and meet in waltz hold (two hand hold may also be used).

Bar 2 – 4 Dance out to the sides (couple in second place to woman’s side and couple in 1st place to men’s side) and continuing dancing waltz turns round other couple and back into centre in progressed position.

Bar 5 – 7 Repeat bars 2 – 4 to finish in centre in original positions

Bar 8 Retire

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Diamond of the Water
A 3 couple strathspey for a 3 couple set
Jayne Irwin, July 2024

1 – 4 All 3 couples turn with both hands once round and set.

5 – 8 All 3 couples dance in and take nearer hands, facing up.
1st couple casts off to 3rd place.
2nd couple dance up and cast of to original places.
3rd couple dance and cast into 1st place.
On bar 8 all three couples dance in to take promenade hold.

9 – 16 3rd, 2nd & 1st couples dance a 3 couple promenade, 3rd couple casts of to 2nd place and 2nd couple dance to the top on the last two bars.

17 – 18 2nd, 3rd & 1st couple turn once round with both hands
19 – 20 All advance for one step & retire one step
21 – 24 All dance back to back

25 – 32 All circle to the left and back

Repeat from new positions

Our canoe, gliding gently in the reflective water and watching the fish below swishing to and fro.

No Video

Further Ado
Lydia Hedge, Further Ado
32 bar Reel for 3 couples in a 4 couple longwise set
devised by Lydia Hedge 2019.

1 – 8 1s set, cross down between 2s (as 2s step up), cast behind 3s, dance up between 3s to 2nd place in the centre.

9 – 16 2s, 1s and 3s dance mirror reels of 3 (1s out and up, 2s in and down, 3s in and up) 1s finish back to back facing opposite sides.

17 – 22 2s, 1s and 3s dance 6 bars of double triangles.

23 – 24 1s petronella turn out to own sides in 2nd place.

25 – 32 2s, 1s and 3s circle 6 hands round and back.

Repeat, having passed a couple

Tune: Further Ado by M. G. Hughes 2017

No Video

A Trip to Ottawa
Strathspey
Malcolm Brown

1-4 1s Set, cast one place (2s step up)

5-8 1s ½ figure of eight up through 2s

9-16 1s & 2s Helice
1-2 1s & 2s ¾ turn partners RH, to finish in promenade hold, top couple (2s) facing men’s side, bottom couple (1s) facing ladies side, forming a line up and down the dance
3-4 1s & 2s promenade ½ way round anticlockwise (not too close togeher)
5-6 1s & 2s still in promenade hold, turn to finish in middle of set facing partners – 1s above 2s, [top couple on own side (1s), bottom couple on opposite side (2s)]
7-8 1s & 2s pull back R Sh and cast into sidelines

17-24 2s set, cast up one place (1s step down), ½ figure of eight down through 1s, All finish in middle, (1s & 3s dance in on left foot), ready for

25-32 1s 2s 3s Promenade

• Helice is pronounced “hell-eese” (eese as in (g)eese

September 2008

Version B – 2 couple dance

Version C – 3 couple set (1s cast to 3rd place on bar 32, while 3s dance up to 2nd place)

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JIG ON THE HILL
32 bar jig for 4 couples in a square set

1 – 8 First and third couples dance a Ladies’ Chain.

9 – 16 Second and fourth couples dance a Men’s Chain. On bar 16, second and fourth women finish facing out and first and third women turn about to face out as well. All the men face in.

17 – 24 All dance 8 bars of Schiehallion reels as follows:
17 – 20 All four men dance on to the position of the woman on their right in two long steps and then, with two short steps, dance a small loop into the man’s position to face in. Meanwhile, the women dance a small loop into their partner’s place and then follow their partners into the woman’s position to their right and stay facing out.
21 – 24 Repeat to finish opposite the original position, women still facing out.

25 – 32 All turn partners with the right hand into promenade hold, women on the right, facing clockwise. All promenade one place on, turning to face in, and all set. All are now in one position to the right of their original place.

Bars 17 – 24 are taken from the dance, Schiehallion, by Hugh Thurston where the full reel for 4 couples takes 16 bars. Schiehallion is a mountain in the middle of Scotland. The reels are danced in a square shape, presumably around the mountain.
The title refers to Parliament Hill in Ottawa as well as the hill, or brae where the first Ardbrae classes were held.

Suggested Music: Celtic Fire in the Music, Disc 1, track 10, Bobby Brown and the Scottish Accent

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The Cairn Strathspey
Roy Goldring, Auld Friends Meet
32 bar strathspey for 4 couples

1 – 4 1 couple with 2nd couple (also 3rd couple with 4th couple) dance right hands across opening out into:

5 – 8 Eight hands round halfway.
Finish 4, 3, 2, 1 all on opposite sides.

9 – 12 4th woman with 3rd woman (also 2bd Woman with 1st woman) nearer hands joined, dance between their partners, divide, dance back to the men’s side. 4th and 3rd women face each other, 2nd and 1st women face each other ready for:

13 – 16 Half reel of four, passing right shoulders to begin.

17 – 24 All four men repeat bars 9 -16. (Men dance between the women opposite — not their partners. )

25 – 28 1st couple cross giving right hands and cast to 4th place while. 2Nd, 3rd and 4th couples set and cross up one place giving right hands.

29 – 32 All four couples turn once round with both hands.

Repeat from new positions.

For Shirley Shields and the Cairn Dancers.

Tune: Falkland Palace (Nancy Dickson)
1980

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Jackie Stewart’s Reel
A 32 bar reel for 3 couples.
Music: The Flying Scotsman 8x32r

1-8: 1st couple cross with left hands, cast and meet in the middle to turn by the left hands 1½ times for 4 bars to face out on own sides. 2nd couple steps up on bars 3-4.

9-16: 1st couple dance around the person on their left in 2 bars and meet In the middle (with man facing up and woman facing down) to turn by the left hands 1½ times for 4 bars, then dance around the person on their left in 2 bars to finish in 2nd place on their own sides.
Meanwhile, on bars 9-10 3rd man and 2nd woman exchange places, passing left shoulders. On bars 15-16 3rd woman and 2nd man exchange places, passing left shoulders.

17-24: 1st couple leads down and back. On bars 21-22, 3rd and 2nd couple cross by the left hands halfway round and step in on bars 23-24 to prepare for an allemande.

25-32: 3rd, 1st, and 2nd couples dance an allemande.
On the second time through, replace every occurrence of “left” with “right”.

Notes for Jackie Stewart’s Reel
Start your engines…

Brid 24-05

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Walking the Dogs
Ron Wallace and Gary Thomas, Give it a Whirl
32 bar reel for three couples in a three-couple longwise set

1 – 8 1st couple, giving RIGHT hands, half turn, moving down one place. 2nd couple steps up on bars 1-2. 1st couple, giving RIGHT hands, half turn, moving down below 3rd couple, facing out. 1st couple cast up around the 3rd couple to 2nd place on own side, turn by the RIGHT hand three-quarters to face up the middle. 1st woman followed by 1st man.

9 – 12 Half dolphin reel across the set, RIGHT shoulder to 2nd woman, 1st man takes the lead on bar 10. Finish with 1st couple in the middle back to back, 1st woman having turned right about.

13 1st couple join hands as for double triangles and all set onto RIGHT foot.
14 Releasing hands, all pas de basque onto LEFT foot, 1st couple moving to their RIGHT one quarter, remaining back to back.
While:
2nd and 3rd couples set turning to face up and down.
15 All join hands as for crown triangles and set onto RIGHT foot.
16 Releasing hands, all set onto LEFT foot. 1st woman remains facing down as 1st man turns right about.

17 – 20 1st couple repeat bars 9-12 above with 3rd couple giving a RIGHT shoulder to 3rd man. 1st man takes the lead on bar 18. Finish with 1st couple in the middle back to back, 1st woman having turned right about.

21 – 24 As bars 13-16 above. 1st couple turn right about to face their first corners, who are in their partner’s first corner position.

25 – 32 1st couple half reel of 4 with first corners. 1st couple pass right shoulders in the middle to dance a half reel of 4 with second corners. 3 1 2

Repeat from new positions.

Deviser: Ron Wallace and Gary Thomas
Music: Walking the Dogs, Muriel Johnstone

For dear friend, Emily Evans, whose generosity and friendship helped pave our way into California and sustain us for many years! Dedicated to all who spend hours and hours in that loftiest of pursuits, walking the dog!

Video: The Pirate

The Pirate
RSCDS Sir Walter Scott, The Heart of Midlothian
The Dance – 1822 and 2021
24-bar reel for two couples in a four-couple longwise set

1822 Instructions

The 2d Gentm and 1st Lady turn to right and set at top and bottom, turn to right
again into each other’s places (in the dance) set
the 1st Gentm and 2d Lady do the same
Poussette at top

2021 Reconstruction

1 – 4 1st woman and 2nd man, using travelling step and pulling right shoulders back, dance into the middle to face each other and set. 1st woman facing down and 2nd man facing up.

5 – 8 1st woman and 2nd man using travelling step, pass by the left, and pulling right shoulders back, dance to each other’s original places and set.

9 – 12 1st man and 2nd woman, using travelling step, pass by the left, and pulling right shoulders back dance into the middle and set. 2nd woman facing down and 1st man facing up.

13 – 16 2nd woman and 1st man using travelling step and pulling right shoulder back, dance to each other’s original places and set. At the end of bar 16, 1st couple are in 2nd place opposite side. The 2nd couple are in 1st place opposite side.

17 – 24 2nd and 1st couples dance a waltz poussette to finish back on own sides.

Note: In the 1822 leaflet this is a 24-bar dance for 2 couple.As 24-bar 2-couple dances are not that common today, an additional optional 8 bars have been added below should you wish to dance this as a 32-bar dance for three couples.

25 – 32 2nd, 1st and 3rd couples dance a grand chain. Repeat having passed a couple.

Repeat, having passed a couple.

Note:

1. The movements in bars 1 — 16 are similar to a petronella turn. Travelling step is recommended,
2. As it is clear that the progression takes place during bars 1 – 16, the poussette must be a full poussette, but starting from the opposite sides. See page 61.

The Waltz Poussette

Starting from sidelines and using waltz turns throughout the dancers should follow the general pattern below:

Bar 1 Dance in and meet in waltz hold (two hand hold may also be used).

Bar 2 – 4 Dance out to the sides (couple in second place to woman’s side and couple in 1st place to men’s side) and continuing dancing waltz turns round other couple and back into centre in progressed position.

Bar 5 – 7 Repeat bars 2 – 4 to finish in centre in original positions

Bar 8 Retire

Video: The Northern Lights

THE NORTHERN LIGHTS
TAC Silver Anniversary
3 x 32 Bar Strathspey

1 – 4 1st Man and 2nd Lady set to each other advancing, then turn each other with both hands (3/4 turn) to finish back to back in the centre, Man facing down, Lady facing up (they release hands and pivot right about on Bar 4 – i.e. Bob Campbell’s “Birl” from Frae A’ The Airts) Meanwhile: 2nd Man and 1st Lady dance around anticlockwise to finish facing their partner in a line up & down in the centre of the dance

5 – 8 2nd and 1st couples set to partners and turn with both hands to finish on own side of the dance, 1st couple now in 2nd place, 2nd couple in 1st place

9 – 16 1st couple repeat Bars 1 – 8 with 3rd couple. On bars 15 and 16 they turn with both hands finishing in position ready for Allemande. On bar 16, 2nd couple (at top) dance in to position for Allemande.

17 – 24 2nd, 3rd and 1st couples dance Allemande

25 – 28 1st and 2nd couples (top and bottom) dance Half Rights and Lefts; WHILE the 3rd couple (in 2nd place) set and cross over giving Right hands

29 – 32 All 3 couples set and cross to own sides giving Right hand to partner

Repeat with new top couple

Dedicated to the Ladies of Prince George, B.C.
Devised by Chas. F. Dobie of Carisbrooke S.C.D.C.

NOTE: The following note appears in the back of Glasgow Assembly and other Scottish Country Dances by Bob Campbell (Fifth Printing, 1990):

“THE BOURREL
This progression, first used in Campsie Glen, also appears in The Northern Meeting and Frae A’ The Airts and was originally known as the Birl. As birling, in its strict sense, does not occur in our dancing the term Bourrel has been substituted.”

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ECLIPSE

A JIG for 3 couples in a 4 couple set; (J 8×32)

1 – 8 1C dance clockwise round set: 1W casts off on own side while 1M crosses set and follows 1W. 1C return to original positions, 1W facing out
Meanwhile; 2C and 3C turn RH round and LH back to place.

9 – 16 1C continue dancing ¾ figure of 8 on own side; 1W casts RSh round 2W then LSh round 3W to end in 2nd place as 2W steps up on bars 3-4.
1M casts RSh round 2M then LSh round 3M to end in 2nd place as 2M steps up on bars 3-4..
1C set to each other (in 2nd place)

Couples position: 2 – 1 – 3

17 – 24 1C turn LH round and RH back to 2nd place Meanwhile; 2C and 3C chase clockwise round set.

25 – 32 2C, 1C and 3C all dance 6 hand round and back.

Note; dancers are dancing around the set or inside the set, in a circular movement….to show the movements of the sun and the moon in an eclipse.

Suggested music: THE HAPPY MEETING 8×32 bars JIG from “The Bobby Brown Collection” of Bobby Brown and the Scottish Accents; CD disc #1. Tune #3

Devised by Deborah Connors
April, 2024

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TOP OF THE HILL
a 32-bar strathspey for 3 couples in a 3-couple set

1 – 8 First and second couples set and rotate.

9 – 10 All three couples turn partners with the right hand three-quarters of the way round into a line up and down the middle of the set, women facing down, men facing up.
11 – 16 All dance a half reel of six. (As in a reel of four, on odd bars, all pass right shoulders. On even bars, dancers at the ends of the reel dance a small loop while the others pass the dancer they face by left shoulders. After 6 bars, all will be facing their partners.)

17 – 18 All three couples turn partners with the right hand three-quarters of the way round to finish on own sides ready to flow into…

19 – 24 All dance six hands once round to the left. Order is now 3,1,2.

25 – 28 First couple (in second place), followed by second couple, dance up between the standing third couple at the top and cast off to finish in the order 3,2,1. (First and second couples dance straight down behind the lines and turn into place together on bar 28.)

29 – 32 Second couple, followed by third couple, dance down between first couple, (now at the bottom), and cast up to finish the dance in order 2, 3, 1. (The pattern is continuous for 2nd couple who turn in on bar 28 and dance down immediately, followed by 3rd couple. As in the previous four bars, the dancers casting up dance in a straight line and turn in together on bar 32.)

Suggested music: October in Rechberg, Muriel Johnstone, Dancing on Air

This dance was written to celebrate the 60th anniversary of Ardbrae – the half reel of six and the circle represent 60. The first classes in 1964 were held at Ridgemont High School. Hence, the Scottish group name, Ardbrae – high or top (ard) hill (brae).
The pattern of the last 8 bars appears in the dance, Seagreen, by John Drewry.

Devised by Barbara Anglin

No Video

Madge Wildfire’s Reel
RSCDS Sir Walter Scott, The Heart of Midlothian

The Dance – 1820 and 2021
32-bar reel for three couples in a four-couple set

1820 Instructions

1st & 2d Cu: hands across, back again,
down the middle, up again,
set cross corners & turn
Reel

2021 Reconstruction

1 – 8 1st and 2nd couples dance right hands across and left hands back.

9 – 16 1st couple dance down the middle, and up again to second place. (2nd couple step up on bars 11 and 12)

17 – 20 1st couple set to first corners, then set to second corners.

21 – 24 Giving right hands,1st couple turn one and a half times.

25 – 32 1st couple dance reels of three on the opposite side, passing first corner right shoulder to begin. All dance the full 8 bars. 1st couple dance to 2nd place own sides on the final bar, 1st man crossing down from the top and 1st woman crossing up from the bottom.

Repeat having passed a couple.

Notes

1. In this dance we have the instruction ‘set cross corners & turn’ while in two of the other dances in the leaflet it is simply ‘set cross corners’.
2. There is no evidence of 6-bar reels from the early 19th century. Starting the reels passing first corner by the right allows all three couples to dance for the full 8 bars.

No Video

Ann’s Recess Time
32 bar jig for three couples in a four-couple longwise set
1-81st couple half figure eight around 2nd couple, cross giving RIGHT hands and
cast off one place as 2nd couple steps up.
9-161st couple half figure eight around 3rd couple, cross giving LEFT hands and cast
left, man down to finish between 3rd couple, woman up to finish between 2nd
couple.
17-241st couple petronella turn to end second place opposite, then petronella turn
again to finish facing up and down, giving RIGHT hands, change places and
chase clockwise to own side second place.
while:
2nd and 3rd couples set and rotate.
25-323rd, 1st and 2nd couples circle six hands round halfway, giving RIGHT hands,
cross with partner, and set.
Repeat having passed a couple.

NOTE: In Bars 21-22, all three couples are changing places with partner, giving right
hands, up and down the set before the chase.

Deviser: Gary Thomas, 2014

Music: “Ann’s Jig” by Ron Wallace, 2014
Devised for Ann Glenn to celebrate her 2014 retirement from years of service as a schoolteacher.

© Gary Thomas and Ron Wallace

Video: The Black-Haired Lassie

The Black-Haired Lassie
Let’s All Dance, Too
32/R or S/3
by Carolyn Hunt (1993)
San Francisco Branch

1 – 8 1st, 2nd and 3rd couples dance mirror reels of three on the sides. To begin, 1st couple dance in and down, 2nd couple dance out and up, and 3rd couple dance in and up.

9 – 12 1st couple cross over with right hands and cast off one place. 2nd couple step up on bars 3-4 of the phrase.

13 – 16 1st couple dance a half figure of eight crossing up between 2nd couple to begin.

17 – 20 1st couple turn 1st corners with right hands, then pass partners with right shoulders to approach 2nd corners. Corners use all four steps.

21 – 24 1st couple turn 2nd corners with right hands, then pass partners with right shoulders to own sides of the dance in 2nd place. Corners use all four steps.

25 – 32 2nd, 1st and 3rd couples circle 6 hands round and back.

Repeat from new places.

Music: Any good reel or strathspey

Note: As a new 1st couple begins at the top, 3rd couple dance up into the reel from 4th place and the former 1st couple step to the bottom.

The black-haired lassie is Julie Osborne, who was in the Stockton beginners’ class. (CH)